- 134: What Makes You Reject a First Page?
This week, think about what makes you accept or reject the invitation of the first page.
Reading rec: BAD ASIANS, by Lillian Li.
5m - May 28, 2026 - 133: 5 Nice Little Things You Can Do for Your Novel
This week, it's time for your novel to get some self-care.
Reading recommendation: THE KEEPER by Tana French.
7m - May 13, 2026 - 132: Let an unlikely hero have their day
This week, we're flipping the script on who gets to be the hero of your story.
Reading recommendation: TOKYO EXPRESS by Seicho Matsumoto.
7m - May 7, 2026 - 131: Make it Personal
This week, make your story's problems personal for your characters.
Reading recommendation: THE COLONY by Annika Norlin.
7m - Apr 29, 2026 - 130: Only Write it if You Love It
This week, remembering what you love and why you write.
Reading recommendation: THE TRANSIT OF VENUS, by Shirley Hazzard.
7m - Apr 22, 2026 - 129: Reconsider what Power Means
This week, flip the script on power in your scene.
Reading recommendation: THE RED GROVE, by Tessa Fontaine.
7m - Apr 16, 2026 - 128: Cut the first half of what you write
This week, a bold prescription for a common problem.
Reading recommendation: STONE YARD DEVOTIONAL, by Charlotte Wood.
7m - Apr 9, 2026 - 127: Be a Detective for a Day
This week, put on your deerstalker hat and be a detective for your story.
Reading rec: THE TEN-YEAR AFFAIR, by Erin Somers.
5m - Apr 3, 2026 - 126: Trust Your Story Instincts
This week, we're going with our gut.
Book recommendation: A GUARDIAN AND A THIEF, by Megha Majumdar.
9m - Feb 25, 2026 - 125: Print Your Story Out Differently, and Something Magic Happens
This week, try printing out your story in a different way, and you'll be amazed by what magic can happen.
Reading rec: A Guardian and a Thief, Megha Majumdar
7m - Feb 18, 2026 - 124: Put Your Butt in the Chair
This week, talking about the power of staying in place and riding out the creative challenge.
Book recommendation: HAMNET, by Maggie O'Farrell.
6m - Feb 12, 2026 - 123: Most Writers Write Past Their True Ending
We're talking about endings this week — and how most writers tend to charge past where their story's natural ending truly lies.
Reading rec: BOG QUEEN, by Anna North.
7m - Feb 4, 2026 - 122: Life will Disappoint You
This week, we're discussing whether Lorrie Moore was right when she said "life will disappoint you" is the theme of all great literature.
Reading rec: ALL THINGS UNDER THE MOON, by Ann Y.K. Choi.
6m - Feb 4, 2026 - 121: Everyone's Story is Complex
This week, we're thinking about how everyone's story is more complex than we think, and every character deserves nuance in your story.
Reading rec: FOX, by Joyce Carol Oates.
6m - Feb 4, 2026 - 121: Make everyone's story more complex
This week, discover how complex everyone's story is — and how even peripheral characters in your story have their own lives to live.
Reading recommendation: FOX, by Joyce Carol Oates.
6m - Jan 21, 2026 - 120: Imagine Yourself in the Room
This week, imagine yourself in the room that really matters in your story.
Reading recommendation: Your Steps on the Stairs, Antonio Munoz Molina.
6m - Jan 14, 2026 - 119: My Favorite Reads of 2025
My favorite reads of 2025. Were any of these your favorites?
12m - Jan 9, 2026 - 118: Cut "I thought"
This week, we're talking about narrative filtering, and how much of it you can lose to make your story better.
Book recommendation: FLASHLIGHT, by Susan Choi.
6m - Dec 4, 2025 - 117: Turn the Eye Outward
This week, turn your narrator's eye outward and see the world around them.
Reading recommendation: THE ROSE FIELD, by Philip Pullman.
7m - Nov 27, 2025 - 116: Cut One Weak Sentence from Every Paragraph
This week, cut out the weakest part of every paragraph, and your story or novel will sing.
Book recommendation: HEARTWOOD, by Amity Gaige.
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7m - Nov 18, 2025
