NYC’s Loudest Voice in Independent Media. Based in the concrete jungle, Pipebomb Radio NYC is a digital hub dedicated to the creators, hustlers, and visionaries shaping New York culture. Whether it’s deep-dive artist spotlights or live streetwear drops, we provide a platform for the voices that define the city. Authenticity isn&#39;t optional—it&#39;s our frequency.

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/18/1/3fa4d998-f1c2-4e37-bdbd-9110387496fb__nyc_-_thursday_morning_edition_sept_17th_2026.mp3

The school system is rewinding, social media influencers are getting way too entitled, and the Master of Mayhem is not holding back. This Pipe Bomb Radio NYC live stream turns a stacked 2006 playlist into a full-throttle rant about penmanship, social media platforms, Regents exams, and the kind of online behavior that makes common sense look extinct.Pain Train PIPEBOMB anchors the chaos solo, using a marathon of tracks from Kelly Clarkson, Justin Timberlake, Shinedown, Evanescence, Shakira, Eminem, and more to frame a show that swings from music nostalgia to unfiltered commentary. The episode also spotlights listener requests and shoutouts from Bernard, Janet, the Bear of Texas, and other regulars helping keep the live energy moving.You’ll hear the host break down:<ul><li>Why schools are backtracking from digital learning into pen-and-paper basics</li><li>How platforms flag content as “unoriginal” and force workaround fixes</li><li>Why Regents testing and penmanship debates hit a nerve</li><li>What’s driving his frustration with overprivileged social media influencers</li><li>How a live radio show keeps adapting across TikTok, Kick, 69 FM, and more</li></ul>The result is part throwback radio party, part live-wire monologue, and part survival guide for anyone trying to keep a broadcast alive while the rules keep changing. If you like your music blocks loud and your commentary even louder, this episode delivers exactly that.Essential listening if you want a fast-moving mix of 2006 hits, live requests, platform drama, and the kind of no-filter broadcasting that only Pipe Bomb Radio NYC can pull off. Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Thursday Morning Edition Sept 17th 2026

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Late-night radio gets loud, unfiltered, and brutally honest when the Master of Mayhem turns a music set into a full-blown culture rant. If you like 90s and 2000s throwbacks mixed with zero-filter commentary, this one is made for you.What starts as a gritty overnight broadcast quickly becomes a wild ride through Pipe Bomb Radio NYC—with tracks from **Four Non Blondes, Radiohead, Roxette, Smash Mouth, Michael Jackson, Blackstreet, Lauryn Hill, Shaggy, UB40, Tom Petty, Nelly, and Run-D.M.C.** woven into nonstop personality. But the real hook is the chaos between songs: a fired-up, deeply opinionated host calling out dating double standards, money games on first dates, and the modern nonsense that makes him say what a lot of people are thinking but won’t say out loud.You’ll hear the Master of Mayhem push back on the idea that a man should bankroll an entire table, break down why he thinks first dates should be simple and 50-50, and react to real-world stories where one date turns into five people, a huge check, and an ugly restaurant showdown. He also gets into the pressure of being a creator, the grind of running a station, and why he keeps building Syxx Nyne FM into a 24-7 home for rock, alt, metal, and more.Along the way, he shouts out the show’s growing network of partners and platforms, from TickPick and Amazon to Fanatics, while making the case for why listeners should tune in, support the station, and stop hiding in the bushes just to complain in the comments.This episode is loud, messy, and completely unapologetic—part music showcase, part manifesto, part late-night radio meltdown. If you want a polished, safe conversation, look elsewhere. If you want raw energy, controversial takes, and a host who refuses to whisper, hit play. Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC -  Sept 10th, 2026 Thursday Morning Edition

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/14/2/bb8e8ad5-8e5c-4c0e-be8f-dd76a952df27_pipebomb_radio_nyc_-_sept_13th_2026_1_am_show.mp3

<h5> </h5>Pipe Bomb Radio NYC spends this episode looking back at a four hour plus independent artist showcase from 2020 and using it to frame why indie music still matters. The host walks through the curation process, the constraints of independent recording, and the long term relationships built with artists who supported the show.The episode is anchored by one host, Pain Train PIPEBOMB, who carries the full conversation and commentary. Main topics are indie artist curation, personal tributes to artists and friends, and the value of hearing music outside the mainstream.<h6> </h6><ul><li>In this episode, Pain Train PIPEBOMB revisits a December 2020 indie artist marathon that featured 38 submissions and became a foundation for Pipe Bomb Radio NYC’s indie programming.</li><li>He explains what “indie artist” means in this context and why lower fidelity recordings should be judged differently from major label releases.</li><li>He talks through the difficulty of sorting more than 150 submissions down to a usable playlist and the long, late night production behind the original broadcast.</li><li>He emphasizes that independent music should be heard with an open mind and argues against dismissing artists based on production quality alone.</li><li>He highlights several featured artists from the archive, including Black Wolf Mountain, 52 Cards, Bunny Lewis and the Rabbit Grenades, Chasing Alice, David Van Syce, and Jadalia.</li><li>He tells the story of a folk rock rabbi from Brooklyn whose religious commitments prevented an interview, using that as an example of how constraints still coexist with real talent.</li><li>He pays tribute to his late friend Alex Aldape and credits him with helping shape his appreciation for ska music and the direction of the show.</li><li>He recalls longtime friendships and collaborations with Antonio Medina and others who continued supporting the program over the years.</li><li>He revisits international and younger artists, including Pressure from Sweden, Clay Soldiers from the UK, Ronan who was 13 at the time of recording, and Robots and Gods from Vancouver.</li><li>He closes by reaffirming that the show’s purpose is to spotlight artists, preserve the history of the indie scene, and keep the radio energy moving forward.</li></ul><h6> </h6>00:00 - Opening audio and show intro06:27 - Reintroducing the delayed Sunday broadcast07:27 - Why this episode revisits the 2020 indie showcase08:57 - Why production quality varies in independent music10:24 - Preserving indie music as a kind of history lesson11:20 - Starting the first indie music block23:17 - Tracking the original 2020 indie artist lineup24:03 - Sorting submissions and rejecting auto tune25:24 - The long overnight broadcast and co-host time zone gap27:31 - Introducing the next artists in the playlist28:04 - Jadalia and the folk rock rabbi story39:19 - Divine Inspiration and the theme of creative bravery42:39 - Reframing “independent” as a strength, not a weakness45:14 - Friendships built through early radio work48:37 - Tribute to Alex Aldape and appreciation for ska59:55 - Revisiting the original playlist and calling out the misinformation around the ad break62:12 - Carolyn, future indie shows, and keeping the scene alive63:38 - When promised artists do not show up75:38 - Six plus years of friendships, enemies, and staying consistent80:52 - Crossover and the collapse of old bands81:51 - Pressure from Sweden and a band split caused by a relationship97:39 - Clay Soldiers and the strength of overseas submissions99:31 - Ronan at 13 and the early start of a music career100:50 - Robots and Gods and the value of unusual instrumentation112:14 - Closing thoughts, the under two hour runtime, and show sign off116:16 - Ending the episode with Godsmack120:44 - Final thanks and station outro<h6> </h6><ul><li>“Independent music is not your way to go, you have no sense of variety.”</li><li>“I fucking miss you, bro.”</li><li>“This is how you do a fucking radio show.”</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - The Indie Radio Show That Turned Forgotten Bands Into A Movement

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/9/6/7/d2850c43-bdc5-44e0-a315-f11efc9a6dee_pipebomb_radio_nyc_-_friday_sept_4th_2026.mp3

Four platforms. One live radio riot. And a brutal no-filter debate about AI, education, politics, and the way this show keeps leveling up.If you like loud opinions, rock, wrestling talk, and zero tolerance for nonsense, this episode of Pipe Bomb Radio NYC is built for you.The Bear of Texas, Alex Al Kazzaz, and the Master of Mayhem, Ricky Litwinkowich, kick things off with the kind of behind-the-scenes chaos only live radio can deliver - new platforms, broken software, a rebuilt soundboard, and a show that keeps moving no matter what breaks. Then the energy swings from comedy to competition as Ricky tells the story of a championship darts night, a clutch double-one finish, and the bar-room drama that came with it.You&#39;ll discover: why the show is now streaming across four major listening platforms, how the team rebuilt its soundboard with AI after getting locked out of old software, and why wrestling entrance music, 90s West Coast rap, and a tribute block all land in the same high-voltage episode. Alex and Ricky also break down the best wrestling themes ever, the power of live music variety, and why Pipe Bomb Radio refuses to stay in one lane.The conversation then turns sharp as the hosts take aim at New York&#39;s decision to remove AI tools from schools. Alex makes the case that AI is not just a shortcut, but a practical learning and communication tool for kids, parents, teachers, and students who need translation or accessibility support. Ricky pushes back with his own take on common sense, education, and what happens when policymakers strip away tools before understanding how people actually use them.From there, the episode goes even harder - with a furious, unscripted rant about delayed justice, old criminal cases suddenly resurfacing, and a larger question about why the system seems obsessed with reopening decades-old wounds while ignoring present-day problems. It is part debate, part catharsis, and fully unfiltered.The Bear of Texas, Alex Al Kazzaz, co-hosts this episode with his signature live-wire commentary, music curation, and commentary on station growth, AI, politics, and pop culture.Ricky Litwinkowich, the Master of Mayhem, brings the darts story, the wrestling knowledge, and the sharpest straight-shooting reactions in the room.Perfect for listeners who want rock radio with personality, wrestling nostalgia, social commentary, and a show that feels like it could explode in any direction at any moment. If you want polished, safe, predictable content, this is not that. If you want real conversation with teeth, hit play. Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Friday Sept 4th 2026

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/22/9/21828c35-e2af-45f4-a143-53610f77131b_adio_nyc_-_august_22nd_2026_audio_extracted_01.mp3

<h5>Pipe Bomb Radio NYC</h5>Pipe Bomb Radio NYC is a chaotic, hands-off live radio show built around music, technical mishaps, and unfiltered banter. In this episode, Ricky Litwinkowich and Alex Al Kazaz lean into the mess, troubleshoot station issues in real time, and turn the show’s friction into part of the entertainment.They also cover a few recurring debates from the chat and their own lives, including music choices in ride share cars, the weirdness of modern advertising, and a surprisingly long argument about vegan clothing, all while keeping the playlist moving.<h6>Key topics</h6><ul><li>In this episode: the hosts open with a rough cold intro and immediately get into live production problems, including incorrect intro assets and a station feed that keeps acting up.</li><li>Ricky explains that Pipe Bomb Radio is running as a hands-off show, meaning they can play what they want, when they want, and if listeners do not like it, they can deal with it.</li><li>The show spends a long stretch on technical troubleshooting, including audio routing, stream resets, and whether the problem is on the station’s side or their own.</li><li>Alex shares a story about being reported while driving Uber for playing Coolio’s Gangsta’s Paradise, then expands into a wider rant about passengers expecting control over the driver’s music.</li><li>The playlist gets a lot of attention, with tracks including Eminem’s Cinderella Man, Coolio’s Gangsta’s Paradise, Three Days Grace’s Pain, Barnes Courtney’s Champion, Alice Cooper’s The Man with the Golden Gun, Stevie Winwood’s Higher Love, Skid Row’s Monkey Business, 7dust’s Dirty, Velvet Revolver’s Slither, Fat Joe’s What’s Luv?, and Jay-Z and Linkin Park’s Numb Encore.</li><li>A big chunk of the conversation is driven by a live ad read and a reaction to the shopping app’s overtly explicit clothing ads, which leads to a comic detour into chastity belts, crotchless apparel, and absurd product descriptions.</li><li>The hosts riff on Mel Brooks comedy, especially Robin Hood Men in Tights, using it as a palate cleanser after the ad segment.</li><li>They also talk about sponsorships and distribution, including their presence on multiple audio platforms, Red Circle growth, and support for the station and related shows.</li><li>There is a recurring side conversation about veganism, red meat, leather clothing, and why some fashion and food choices have become overly politicized.</li><li>The episode closes with a final monologue about the world getting stranger, followed by a Batman soundtrack-style outro and the signature Pipe Bomb Radio NYC sign-off.</li></ul><h6>Timestamps</h6>00:00 - Glitched opening and the missing cold intro 06:31 - Ricky discovers the wrong intro was loaded 08:20 - Pipe Bomb Radio returns with a hands-off format 10:27 - Panties, stage stories, and early band memories 12:08 - Technical issues force a MacBook workaround 13:54 - Setting up the next music block and fixing the stream 27:01 - The Gangsta’s Paradise Uber report story 30:03 - Resetting the station feed and checking whether the issue is local 33:41 - Why drivers should not have to change their music for passengers 35:34 - Back to music while the technical work continues 47:49 - Barnes Courtney, Alice Cooper, and Higher Love wrap the block 48:21 - Why the week has become a technical shit show 49:24 - Alice Cooper, MTV bans, and why the Bond song debate matters 53:01 - Deciding to focus on music instead of more technical chaos 55:13 - Kim appreciation and house marketing praise 57:01 - A long tribute to Kim’s support and relationship with the show 71:50 - Sponsor read for TicPick and the show’s ticketing partnership 73:23 - Live 365 ad monitoring and the problem with explicit Temu placements 77:46 - Why not everyone should shop on Temu 79:51 - Robin Hood Men in Tights as a comedic reset 82:52 - AliExpress versus Temu and the sunglasses aside 95:52 - Partnership and distribution update for Pipe Bomb Radio NYC 97:07 - Red Circle growth, downloads, and expanding reach 99:53 - The question of when clothing became vegan 102:08 - Leather pants, red meat, and the vegan debate 105:47 - Vegetable side effects and picky eating jokes 108:23 - Final music run: Jay-Z, Linkin Park, KISS, and Fat Joe 122:19 - Show summary, platform updates, and why the episode was so chaotic 126:10 - Final outro and station promo 132:53 - Pipe Bomb Radio NYC sign-off<h6>Notable quotes</h6> “If your panties get in a bunch, go buck yourself.”“My car, my damn rule.”“This is how you do a fucking radio show.” Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - August 21st, 2026

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/20/10/d1970b1f-98f9-4c53-8f58-873f77dac202_pipebomb_radio_nyc_-_august_19th_2026.mp3

<h5>Pipe Bomb Radio NYC</h5>Pipe Bomb Radio NYC is a high-energy solo broadcast mixing music, sports talk, creator commentary, and unfiltered rants. The episode focuses on content creator accountability, the decline of rock recognition in mainstream media, and a nostalgic look at old-school music culture.The Master of Mayhem also spends time explaining the show’s multi-format identity across music, gaming, podcasting, and radio, while reacting in real time to chat, platform issues, and sponsor spots. It is part playlist, part monologue, part cultural argument.<h6>Key topics</h6><ul><li>In this episode, the host explains that Pipe Bomb Radio NYC is intentionally multi-purpose, covering gaming, sports, music, and podcast-style commentary rather than sticking to one niche.</li><li>The show opens with a direct response to confused viewers, clarifying that the TikTok and radio presence are meant to support multiple types of content, not just one topic.</li><li>A major segment critiques a food influencer who ordered a chicken Caesar salad while claiming to be vegan, with the host arguing that the restaurant was not responsible for anticipating dietary restrictions that were never stated.</li><li>The host uses that story to push a broader point about content creators needing to plan better, communicate clearly, and stop assuming their follower count excuses bad behavior.</li><li>Another major topic is MTV removing the rock category from the VMAs, which the host frames as another sign that rock and metal are being pushed further out of mainstream recognition.</li><li>The episode revisits the decline of music television, contrasting old MTV and public-access music programming like Video Music Box with today’s reality-TV-heavy channel lineup.</li><li>The host reflects on growing up with oldies, Motown, doo-wop, disco, and classic rock, tying that nostalgia to broader changes in music consumption and life before streaming, smartphones, and digital convenience.</li><li>There is a long stretch of sponsor and promotional talk, including Fanatics and TickPick, plus reminders about archived episodes now being uploaded to Amazon, iHeartRadio, and Apple Podcasts.</li><li>The episode also includes several joke “breaking news” bits, including parody announcements about the Kool-Aid Man and Pillsbury Doughboy, leaning into the show’s absurdist, no-filter style.</li><li>Near the end, the host shares a personal work update about uploading episodes at a bar, having a bodyguard-like friend nearby, and dealing with Apple Music and device issues while trying to get work done.</li></ul><h6>Timestamps</h6>00:00 - Opening with the show’s chaotic theme and intro 05:28 - Explaining what Pipe Bomb Radio NYC covers and why the format is broad 11:05 - Archived episodes being uploaded to major podcast platforms 30:14 - Why content creators need to plan better before showing up to collaborate 31:13 - The vegan influencer and chicken Caesar salad controversy 34:18 - Why the restaurant was not at fault for the influencer’s order 37:23 - Returning to music after the creator accountability rant 54:57 - MTV removes the rock category from the VMAs 56:27 - Why modern MTV no longer feels like a music channel 58:41 - Remembering Video Music Box and independent music exposure 70:34 - Growing up on oldies, Motown, and classic radio 75:27 - Nostalgia for pre-smartphone life, from calculators to rotary phones 88:14 - Reacting to Bad Wolves, Tommy Vext, and band stability 91:19 - Columbia House shuts down after 71 years 106:32 - TickPick sponsor read and live event ticket talk 110:22 - Parody breaking news about the Kool-Aid Man 111:20 - Parody breaking news about the Pillsbury Doughboy 122:51 - Frustration with Apple Music cutting off a Faith No More track 124:21 - Working from a bar, uploading episodes, and having backup from a friend 135:57 - Closing thoughts, merch reminder, and show wrap-up 137:45 - Final outro with “My Own Hell” by Five Finger Death Punch<h6>Notable quotes</h6>Copy“My TikTok is multi purpose.” Copy“The content creator is the one who’s screwed up.” Copy“MTV has removed the rock category for this year’s VMAs.” Copy“Oldies is what sets the mood.” <h6>Action items</h6><ul><li>Support the show by sharing the stream and engaging with the live chat.</li><li>Check out the newly restored back catalog episodes now being uploaded across podcast platforms.</li><li>Watch for the next live sports-related episode and the ongoing radio and music programming.</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - August 19th, 2026

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/4/bb920d72-df82-4f6a-b35d-eccb63215f21__-_independent_artist_show_revisited_10_5_2022.mp3

<h5>Pipe Bomb Radio NYC - Independent Artist Show Revisited 10/5/2022</h5>This revisit edition of Pipe Bomb Radio NYC looks back at an independent artist showcase originally aired on October 5, 2022 after the original episode was lost. Ricky and Lars revisit a stacked lineup of underground hard rock and metal, sharing first impressions, comparisons to classic bands, and plenty of enthusiasm for the scene.The episode is essentially a tour through a wide range of independent artists from around the world, with Ricky and Lars highlighting what makes each band distinct while also calling out two longtime favorites from the show’s own family of artists.<h6>Key topics</h6><ul><li>In this episode, Ricky frames the show as a re-do after the original episode was deleted, and Lars joins in for the “deja vu” revisited format.</li><li>The opening set features Incursion and their track “Running Out”, with Ricky and Lars hearing a clear Iron Maiden style influence alongside other classic metal touches.</li><li>Digith gets a strong reaction for blending hard rock, metal, southern rock, and progressive elements into a heavy, groove-driven sound that has landed them opening slots for major acts.</li><li>TRP, the Thane Rasmussen Project is introduced as a Bay Area hard rock band mixing classic and modern melodic influences, with “Fireburns Blue” drawing a Motley Crue comparison.</li><li>Love and War stand out as a Houston melodic hard rock and metal band, with Ricky calling “Edge of the World” one of his favorite tracks in the set.</li><li>DeVeria brings melodic power and thrash metal from upstate New York, with “Demons Inside Me” keeping the energy high and prompting praise for the band’s musicianship.</li><li>Death Dealer earns major attention because of its veteran lineup, including Ross the Boss and Sean Peck, with “Gunslinger” landing as a huge, high-energy track.</li><li>Ricky and Lars spotlight two of the show’s longtime supported acts, Clay Soldiers and Pressure, treating them as part of the Pipe Bomb Radio family and celebrating their continued support.</li><li>Anubis is discussed as a Los Angeles metal band with classically trained guitarists and a serious technical pedigree, while “The Great Divide” surprises with its aggressive vocals and energy.</li><li>Empires brings fist-pumping hard rock from Texas with “Invincible”, followed by The 450s, whose darker, soulful rock approach on “Flowers for Columbine” reminds Lars of The Hives.</li><li>The final major feature is The Three Tremors, led by Tim “Ripper” Owens, Sean Peck, and Harry Conklin, a powerhouse vocal trio that Ricky says easily outclasses the “three tenors” for this audience.</li><li>The show closes with Armagellion and “Welcome to the Show”, with Ricky praising the project’s original visual identity and dramatic hard rock and metal sound.</li></ul><h6>Timestamps</h6>00:00 - Opening reaction and show reset 06:41 - Revisiting the lost October 5, 2022 independent artist show 08:00 - Incursion and “Running Out” 14:48 - Digith and the “metal and roll” mix 23:22 - Introducing TRP, the Thane Rasmussen Project 31:22 - Love and War from Houston 37:24 - DeVeria and “Demons Inside Me” 45:43 - Death Dealer’s veteran metal lineup 54:09 - Midshow spotlight on Clay Soldiers and Pressure 67:37 - Anubis and its classically trained lineup 76:26 - Empires and the hard rock single “Invincible” 82:29 - The 450s and “Flowers for Columbine” 89:01 - The Three Tremors lineup and legacy 99:29 - Armagellion and the final wrap-up 101:47 - Closing thanks and sign-off<h6>Notable quotes</h6><ul><li>“We bring you this music so that way we can give you a different palette.”</li><li>“The Three Tremors is definitely not only a trio of guys that have a ton of experience, but their sound is just off the charts.”</li><li>“Shout out to Armagellion... the look and the sound is just completely original.”</li></ul><h6>Speaker coverage</h6><ul><li>Ricky - Host, narrator, and main voice introducing each artist, giving reactions, and framing the revisit.</li><li>Lars Johnson - Co-host and listener-reaction voice, responding to the tracks and helping compare influences.</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Indie Artist Show Revisited 10/5/2022

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/4/6bd3da26-0158-43e0-8888-c34184ae29bc_a_birthday_celebration_and_2022_year_in_review.mp3

<h5>Lars’s Birthday Bash and 2022 Year in Review on Pipe Bomb Radio NYC</h5>Pipe Bomb Radio NYC celebrates Lars’s birthday with a surprise-heavy mix of 80s, 90s, and 2000s tracks, plus a look back at the chaos, highlights, and lessons of 2022. Ricky also uses the episode to talk candidly about live-show mistakes, the shift away from Mixlr, and why the current setup feels better for both live and edited releases.This is a loose, high-energy live episode with Ricky leading the show, Lars joining as the birthday guest, and Alex contributing throughout as co-host and commentator. The conversation also spotlights Jimmy IV from Sexy Cool Lounge, whose birthday and upcoming interview are both celebrated on-air.<h6>Key topics</h6><ul><li>In this episode, Ricky frames the show as both a birthday celebration for Lars and a 2022 year-in-review, with surprise song choices kept secret until they play.</li><li>Ricky explains the playlist approach: an 80s, 90s, and 2000s mix arranged out of order so Lars gets a full birthday surprise.</li><li>The show includes listener requests, including Steven Waldman’s Beach Boys pick and Jimmy IV’s first request ever on Pipe Bomb Radio NYC.</li><li>Ricky reflects on the move away from Mixlr and says the current platform is better for live streams, later audio uploads, and editing control.</li><li>The hosts discuss the difficulty of live shows versus pre-recorded shows, including mic issues, post-production fixes, and why live radio feels like “living by the seat of your pants.”</li><li>Ricky gives a blunt reaction to Metallica’s newer material, praising the instrumentation but rejecting the vocals.</li><li>Alex talks about Ringside Chaos and how mixing wrestling news with random historical and storyline moments has resonated with listeners.</li><li>The episode highlights the show’s support for independent music, with Ricky and Alex praising bands that have been featured on Pipe Bomb Radio and Pipe Bomb Metallic.</li><li>Ricky and the guests spend time on birthday shoutouts for Lars, Jessica, Michelle’s daughter, and Jimmy IV.</li><li>The show ends with Ricky previewing his upcoming appearance on Sexy Cool Lounge and promising more collaborative content.</li></ul><h6>Timestamps</h6>00:00 - Bills went through, setting the tone for the live birthday show 05:28 - Ricky opens the 2023 live show and starts building the birthday chaos 06:25 - Birthday request rules, 80s to 2000s playlist, and the year-in-review setup 11:07 - Why the playlist was thrown together fast and why surprises matter 16:16 - First mystery block begins with classic rock and pop surprises 29:03 - Lars reacts to the surprise block, including Toto and Smash Mouth 31:56 - Ricky explains a big upcoming podcast project and the Jimmy IV interview 33:24 - Alex talks about Ringside Chaos and the appeal of mixing wrestling history with random topics 38:35 - Second mystery block starts with Steven Waldman’s Beach Boys request 54:40 - Reviewing the second block and talking about independent bands on the show 55:41 - Ricky experiments live with a Corona refresca and starts drinking on-air 58:56 - Year-in-review discussion and what changed after the Hot Dumpster Fire era 61:45 - Why Pipe Bomb Metallic works better as a pre-recorded show 63:42 - Alex reflects on the interview production problems and post-production fixes 69:19 - Third mystery block begins with Lacuna Coil and Metallica requests 86:40 - Ricky admits he is drunk, then reviews the block and criticizes Metallica’s vocals 91:10 - Lars’s role in finding bands and shaping the show’s direction 95:23 - Fourth mystery block is introduced with more independent music and birthday energy 109:13 - Ricky calms down, thanks Jack Daniels Apple, and introduces Jimmy IV in the chat 111:11 - Triple birthday segment begins with the first Epic Happy Birthday 113:30 - Ricky thanks Jessica and talks about the personal support she has given him 114:03 - Epic Happy Birthday for Jimmy IV 116:36 - Epic Happy Birthday for Lars 121:39 - Ricky introduces the final mystery block and explains how last-minute the playlist was 139:30 - Sponsor read and a push for fitness gear and show partners 143:28 - Jimmy IV’s first song request ever on Pipe Bomb Radio NYC 160:42 - Final recap of the mystery block and the songs featured in it 163:33 - Birthday shoutouts, listener thank-yous, and the Sexy Cool Lounge interview announcement 167:50 - Ricky closes the show with Limp Bizkit’s “My Way” and the full host sign-off<h6>Notable quotes</h6>Copy“We are also doing a twenty twenty-two year in review.” Copy“The great thing about doing the show is pre recorded... I can stop, correct the mistake, and continue.” Copy“I’m not happy with the new Metallica shit.” <h6>Action items</h6><ul><li>Listen to Jimmy IV’s upcoming Sexy Cool Lounge interview when it releases.</li><li>Check out the independent bands featured throughout the episode on Pipe Bomb Radio and Pipe Bomb Metallic.</li><li>Follow up on the show’s other programs mentioned on-air, including Ringside Chaos and Motley Metal.</li><li>Stay tuned for future birthday episodes and more live Pipe Bomb Radio NYC broadcasts.</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Birthday Celebration and Year in Review for 2022

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/4/3f28c483-655d-4c5a-94ce-6ac6277fcf60_io_nyc_s3_-_ben_jewell_lead_singer_of_ventruss.mp3

Venturous on Pipe Bomb Radio NYCBen from Venturous joins Ricky and Lars for a long overdue interview about the band’s history, songwriting process, touring goals, and the sound that shaped their latest material. The conversation also goes beyond the music, touching on Ben’s influences, vocal technique, favorite venues, hobbies, and the story behind his guitars.In this episode, Ben shares how Venturous started in 2012, how the lineup evolved, and why Louisiana’s local scenes helped shape the band’s identity. They also dig into the creative process behind songs like “Talladega,” “Serpent,” and “Relinquished,” plus what it takes to move between harsh vocals and clean singing without wrecking your voice.Key topics<ul><li>Ben’s backstory and the formation of VenturousStarted in 2012 while Ben was still in high school</li><li>First show was at Frankie’s Burgers in Lafayette, Louisiana</li><li>Band began building momentum around 2014 with shows at House of Blues New Orleans and other regional venues</li><li>How the Venturous name came togetherOriginally called Embrace Goodbye</li><li>Later shortened and reshaped from the name Venturous, inspired by Ventress, Louisiana</li><li>Ben explains the local significance and why the spelling changed</li><li>Lineup changes over the yearsBen has been the only constant member</li><li>Jake is the other original member, though he took time away and later returned</li><li>Sean, BG, and Jesse each joined in different eras as the band grew</li><li>Major releases and milestonesFirst EP Come Alive came out in 2014</li><li>Self-titled EP followed in 2019</li><li>Current EP The Serpent was written during the pandemic and released the year before the interview</li><li>The band’s regional rise and touring historyOpened for acts like Hell Yeah, Gemini Syndrome, Thousand Foot Krutch, and Twelve Stones</li><li>Played notable venues across Louisiana and Mississippi</li><li>Ben says a European tour remains a bucket-list goal</li><li>What shaped Venturous’ soundThe band members grew up in different towns and came from different musical lanes</li><li>Influences range from hard rock and radio rock to hardcore, grindcore, and shred-heavy music</li><li>That mix helps explain the band’s variety and range</li><li>Ben’s earliest vocal and musical influencesA Christian boy band called Plus One was the first thing that made him want to sing</li><li>Puddle of Mudd’s Come Clean and “Blurry” were major early turning points</li><li>Linkin Park, especially Hybrid Theory and Meteora, was the biggest catalyst for pushing him into rock and metal</li><li>How Ben writes lyricsBen writes all the lyrics</li><li>Most songs begin instrumentally with Jesse and Sean</li><li>He records ideas on his phone, lets the music marinate, then writes when inspiration hits</li><li>Some songs, like “Talladega,” came together fast, while others took years</li><li>Songs that connect most with fans“Talladega” and “Alone in the Dark” are fan favorites</li><li>“Come Alive” still gets played because it remains a strong live track</li><li>“Relinquished” stands out as one of the more complex and creatively different songs</li><li>Vocal technique and stage performanceBen explains the difficulty of switching from clean vocals to screams and back</li><li>He stresses posture, diaphragm control, and body positioning</li><li>He also notes that vocal performance is physical, not just vocal</li><li>The band’s current and future plansUpcoming tour includes dates in Austin, Tucson, Scottsdale, Albuquerque, San Antonio, Dallas, Houston or Spring, and a stop in Vegas for Apocalypse in the Desert</li><li>After the tour, the band plans to start writing the next record</li><li>Sweden remains a dream destination, with Ben promising the band will get there someday</li><li>Ben’s personal hobbiesBaseball, especially MLB The Show</li><li>Geography, travel, maps, and studying different cultures</li><li>Making reaction videos, video editing, vlog footage, and comedy writing</li><li>He also wants to expand into more vocal covers and content creation</li><li>The instrument cornerBen talks through several guitars and basses, including a 1992 Fender Jazz Bass, an old Ibanez Soundgear, a Schecter Damien Riot, and two refurbished acoustics</li><li>One guitar is especially meaningful because it was a Christmas gift from his father and has deep sentimental value</li><li>Shoutouts and supportBen thanks MVK Music Group, the road crew, audio engineer Eric Woolard, and fans who promote the band</li><li>He also gives love to supporters like Boss Jan and Shiprocked friends</li><li>The episode closes with appreciation for everyone who helps spread Venturous’ music</li></ul>Timestamps00:00 - Pipe Bomb Radio NYC intro and guest welcome 02:05 - Ben gives the origin story of Venturous 03:27 - Early shows, venues, and first releases 04:54 - Why the band is called Venturous 06:14 - Lineup changes and current members 08:07 - Touring dreams and plans for Europe 09:47 - How Louisiana shaped the band’s sound 12:47 - First sparks of becoming a singer 14:53 - Linkin Park, Nu Metal, and bigger influences 15:48 - Who writes the lyrics and how songs come together 18:08 - Writing lyrics on the job and in unexpected places 19:33 - Fan favorites and live song choices 20:57 - How the instrumentals are built 23:48 - Switching between clean vocals and screams 26:10 - Vocal posture and full-body technique 31:41 - Reaction to Serpent after the first playback 35:38 - Fan support and shoutouts 38:01 - The five questions of death begins 38:30 - Late-night snack of white bread and barbecue sauce 40:19 - Favorite fry side with a burger 40:48 - Pre-show routine and vocal care 42:20 - Favorite venue picks in New Orleans and Baton Rouge 42:54 - Dream act and venue combination: original Pantera at Red Rocks 43:53 - Ben’s hobbies beyond music 46:43 - Reaction videos, travel obsession, and new content ideas 49:26 - Relinquished plays and the band reacts 58:30 - Gear talk: basses, guitars, and instrument stories 62:28 - Sentimental first guitar from Ben’s father 69:35 - Upcoming tour and next record plans 72:51 - Social media, merch, and streaming availability 75:13 - Closing thanks and wrap-upNotable quotes<ul><li>“It’s not just a name, it’s an attitude.”</li><li>“I write every lyric.”</li><li>“I can’t do it now. But that doesn’t mean I can’t do it four or five months from now.”</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Interview with Ben Jewell of Ventruss

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/4/3652ad94-030c-4add-bbc8-b275f79476d7__nyc_s4_-_season_4_begins_4th_anniversary_show.mp3

<h5>Pipe Bomb Radio NYC 4th Anniversary Show</h5>Pipe Bomb Radio NYC celebrates four years with a packed anniversary episode that mixes live commentary, an interview with Court from Troy, the Reality of Yourself, and a long run of music blocks. The show is a mix of behind-the-scenes reflection, artist discovery, and high-energy radio programming, with Ricky and Lars talking candidly about burnout, scheduling, and keeping the show moving forward.In this episode, Ricky shares how much work goes into producing the show, why he needed a break, and how the anniversary became a reset point. Court from Troy, the Reality of Yourself joins to talk about the band’s origins, songwriting philosophy, live performance energy, and the meaning behind their sound.<h6>Key topics</h6><ul><li>Ricky opens by marking the fourth anniversary of Pipe Bomb Radio NYC and explaining the work that went into the stream setup, graphics, and audio changes.</li><li>He talks honestly about burnout after six and a half years of doing content, including editing an interview that took four and a half days.</li><li>Ricky and Lars discuss how important it is to keep the show fun, and why passion matters more than forcing a schedule.</li><li>Court from Troy, the Reality of Yourself joins the show and explains the band’s roots as a childhood labor of love that grew into a long-running independent project.</li><li>Court describes the band’s identity as tied to reality, authenticity, and the idea that mindset, habits, and environment shape creativity.</li><li>The interview covers influences ranging from bluegrass and classic rock to Queen, the Beatles, Metallica, Maynard, Alanis Morissette, and the Eagles.</li><li>Court explains that the band wants to avoid sounding the same on every release and instead keep evolving while staying true to their core.</li><li>Lars asks about touring and live reception, and Court says songs like The Reckoning, money sign hit, Gallows, and Wicked World connect strongly with audiences.</li><li>Ricky and Lars spend time discussing the difference between studio perfection and live authenticity, especially in hard rock and metal.</li><li>The episode also features multiple music blocks, including indie and mainstream tracks, a cover block, a 90s block, and a remix finale.</li><li>Ricky closes by highlighting the show’s anniversary, upcoming merch, and the continuing expansion of Pipe Bomb Radio across platforms.</li></ul><h6>Timestamps</h6>00:00 - Fanatics partnership and show intro 05:09 - Fourth anniversary kickoff and stream setup 08:19 - Upcoming interview with Court from Troy and Nick joining 10:23 - Why passion matters and avoiding burnout 12:10 - Editing workload and new equipment challenges 16:13 - Gaming plans and introducing Court from Troy 17:25 - How Ricky’s nephew discovered Troy, the Reality of Yourself 20:08 - Band origins and independent growth 23:16 - Classic rock, Metallica, and musical upbringing 27:52 - Finding humanity and authenticity in songwriting 30:16 - Emotional vocals and writing from real experience 33:39 - Vocal influences from Queen to Maynard to the Eagles 36:42 - Crowd favorites and what hits live 38:38 - Band socials and where listeners can find them 40:04 - Playing The Reckoning by Troy, the Reality of Yourself 44:58 - Reaction to the performance and live-band energy 46:25 - Studio polish versus real live performance 49:46 - Covers, feel, and why emotion matters more than perfection 56:51 - Band history, lineup changes, and release timeline 58:47 - Why the interview ran long and future collaboration 63:02 - Indie-heavy music block with female vocalists 77:03 - Fourth anniversary recap and platform expansion 81:50 - Wind Back Wednesdays and the show’s evolving format 85:19 - Pressure, Ventress, and Clay Soldiers music block 103:23 - Setup for the 90s block 105:40 - Snoop Dogg, TLC, Coolio, and House of Pain block 126:52 - Chris Rex anniversary shoutout 128:50 - Cover block featuring Beatles, Mariah Carey, and Linkin Park covers 145:52 - Final birthday segment for Hampus 149:33 - Remix finale with multiple mashups 168:05 - Closing remarks and thanks to Court and listeners 170:10 - Sign-off and Metallica sendoff 175:42 - Post-show station and merch promo<h6>Notable quotes</h6>Copy“If you’re not having fun doing it, then why do it?” Copy“Music is the love language of the universe.” Copy“Rising tide raises all ships.” <h6>Action items</h6><ul><li>Check out Troy, the Reality of Yourself if you want independent rock with strong vocal emotion and classic influences.</li><li>Watch for the new anniversary merch drop mentioned near the end of the show.</li><li>Catch the show’s broader archive and related programming across the platforms Ricky mentions during the episode.</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Season 4 Begins

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<h5>Pipe Bomb Radio NYC: St. Patrick’s Day 2023 Edition</h5>Ricky Litwinkowicz hosts a St. Patrick’s Day themed episode that mixes Irish punk and folk music with a darker, more mythic look at the holiday. Alongside the playlist, he covers Irish legends, St. Patrick’s Day history, and the holiday’s Americanized traditions, while keeping the tone loud, comedic, and intentionally chaotic.This episode is mostly a solo-host showcase from Ricky, who leads the music blocks and adds commentary between tracks. The main themes are St. Patrick’s Day, Irish music, and Irish folklore, with a recurring warning that the holiday has both celebratory and horror-movie sides.<h6>Key topics</h6><ul><li>In this episode, Ricky frames the show as a pre-recorded St. Patrick’s Day special and acknowledges that it is not airing live on March 17.</li><li>He opens with a playlist of Irish and Irish-themed bands, including Dropkick Murphys, Bloody Irish Boys, Dirty Glass, Happy Ol’ McWeasel, Fiddler’s Green, Flogging Molly, The Dubliners, The Pogues, and others.</li><li>Ricky explains the “traditional” side of St. Patrick’s Day, including corned beef and cabbage, drinking, green clothing, and the holiday’s religious roots during Lent.</li><li>He adds a history segment covering St. Patrick’s Day origins, noting that St. Patrick was born in Great Britain, not Ireland, and that the first St. Patrick’s Day parade was held in what is now St. Augustine, Florida.</li><li>He emphasizes that corned beef and cabbage became a St. Patrick’s Day staple in America, not originally in Ireland, and describes it as an immigrant-era adaptation.</li><li>The episode shifts into Irish folklore and horror lore, including the Dullahan, banshees, the Morrigan, and the Sluagh Sid, with Ricky presenting them as the darker counterpart to the holiday’s cheerful image.</li><li>Ricky also highlights St. Patrick’s Day horror films and horror-adjacent titles such as Unlucky Charms, Red Clover, Leprechaun Origins, The Hallow, Leprechaun Returns, and Crawlers.</li><li>He repeatedly returns to the idea that St. Patrick’s Day can feel like “sunshine and rainbows” on one side and monsters, omens, and death on the other.</li><li>The music blocks continue the Irish theme with songs about drinking, roving, pub life, and chaos, including Ramblin’ Rover, Irish Rover, and whiskey-soaked party tracks.</li><li>The episode closes with a safety reminder not to drink and drive, followed by a final high-energy punk sendoff.</li></ul><h6>Timestamps</h6>00:00 - Sponsored intro and quick opening tease 04:02 - St. Patrick’s Day special intro and pre-record explanation 06:29 - Opening Irish punk block sets the tone 17:19 - Irish music leads into the “educational” folklore section 18:14 - The Dullahan and other scary Irish legends 20:38 - Dark folklore contrasted with the holiday’s cheerful image 34:31 - Pre-recorded show note and transition into St. Patrick’s Day horror movies 35:28 - Horror films tied to Irish mythology and leprechauns 40:00 - More Irish drinking songs and rover-themed tracks 54:25 - Midshow recap and introduction to the Morrigan and Sluagh Sid 56:52 - Another music block with saints, drinking, and barroom imagery 71:02 - St. Patrick’s Day history, shamrocks, and parade origins 73:20 - Corned beef and cabbage as an American innovation 74:44 - Leprechaun humor and a shift back to party songs 76:03 - Ricky jokes about leprechauns and introduces the final music stretch 90:07 - Closing remarks, show wrap-up, and anti-drunk-driving warning 91:35 - Final sign-off and outro track<h6>Notable quotes</h6>Copy“Saint Patrick’s Day isn’t just about eating your corned beef, cabbage, and baked potatoes.” Copy“There are some scary Irish legends that go along with it.” Copy“Please, if you’re listening to this episode at any point, and you go out drinking, do not drive.” Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - St Patricks Day

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<h5>Pipe Bomb Radio NYC - March 21, 2023</h5>This episode is a chaotic celebration show built around honoring Mark Braverman’s brother Jeff, with birthday shoutouts, live listener interaction, and a heavy dose of music. Ricky is joined by Lars the Viking Johnson and guest Mark Braverman, and the show mixes personal memories, show updates, and strong opinions on new releases.We discuss the return of in studio chaos, the growth of the interview format, and a memorial segment for Jeff that becomes the emotional center of the episode. The music block leans hard into new releases and listener requests, including tracks tied to the recent interview run.<h6>Key topics</h6><ul><li>Ricky opens the show by introducing Lars the Viking Johnson as co host and Mark Braverman as the guest of honor for the memorial focused episode.</li><li>Mark explains that the show is dedicated to his brother Jeff, while also noting a birthday celebration mixed into the broadcast.</li><li>The episode briefly turns solemn with the announcement that New York Knicks legend Willis Reed has died at age 80.</li><li>Ricky previews next week’s birthday show and says Chris Carpenter, aka Chris Rex, will be in studio after years away.</li><li>The hosts celebrate Pipe Bomb Radio NYC reaching number 7 on the Celtic music chart with the St. Paddy’s Day show.</li><li>Ricky talks about the growing importance of interviews, saying recent conversations with Escalate, Ventress, and The Reality of Yourself have become the strongest part of the show.</li><li>He explains that scaling back the live schedule has actually reduced burnout and given him more room for creative production work, overlays, and post production.</li><li>Mark shares personal Jeff stories, including the famous Randy Savage elbow drop onto his back and Jeff finishing a Mets game after breaking two fingers catching a Mike Piazza home run.</li><li>The show features a long music run with new tracks from Buckcherry, Arctic Monkeys, Pressure, Nocturna, Ocean of Another, Five Finger Death Punch, Avenged Sevenfold, and Arch Enemy, plus listener requests like AC DC and Nirvana.</li><li>Ricky goes on a lengthy rant criticizing Metallica’s 72 Seasons rollout, especially the global premiere for an album he says has already been released in full online.</li><li>The episode closes with a Green Day tribute selection chosen for Jeff’s memorial, followed by final comments from Mark and Lars.</li></ul><h6>Timestamps</h6>00:00 - Sponsor read and opening promo for BoFlex fitness equipment 05:10 - Pipe Bomb Radio NYC intro and season four welcome 05:35 - Ricky introduces Lars the Viking Johnson and guest Mark Braverman 06:04 - Mark explains the episode is dedicated to his brother Jeff 07:28 - Tribute to Willis Reed after news of his death 08:16 - Birthday show announcement for next week with Chris Rex in studio 10:11 - St. Paddy’s Day episode reaches number 7 on the Celtic chart 13:03 - Why interviews are becoming the strongest part of the show 14:28 - How reducing the live schedule improved creativity and reduced burnout 16:19 - The production workload, editing, and money pressure behind the show 22:34 - Mark’s opening Jeff remembrance and the memorial format 23:02 - Jeff’s Macho Man Randy Savage elbow drop story 24:39 - Why the episode includes a six song playlist from Mark 38:32 - New music block recap: Guns N Roses, Buckcherry, Arctic Monkeys 39:29 - Ricky praises the Ventress interview and the post production work 44:26 - Jeff at Shea Stadium and the Mike Piazza home run story 47:47 - The last three interviews block: Escalate, Ventress, and The Reality of Yourself 49:26 - Ricky explains why the interviews feel like full access conversations 64:03 - Recap of the interview music block 67:11 - Birthday song confusion and the show’s production chaos 70:59 - George Carlin age math and Ricky’s confession about old HBO downloads 73:28 - Ricky reflects on taking a break and being dropped by people during it 74:59 - Wild party story about Jeff getting more phone numbers than anyone else 78:24 - The peppermint Jack Daniels story and Jeff’s party transformation 81:19 - Music block preview: Nirvana, AC DC, Five Finger Death Punch, Avenged Sevenfold 99:44 - Metallica rant begins with criticism of 72 Seasons and its rollout 101:20 - Why the global premiere makes no sense after the album was already released 104:47 - More criticism of the album art and the overall sound 106:26 - Mark and Ricky compare the album to Metallica’s better records 110:10 - Next block preview with Pressure, Metallica, Ocean of Another, and Nocturna 128:48 - Recap of Pressure, Metallica, Nocturna, and Ocean of Another 131:11 - Islanders game story begins with 12 friends and rinkside seats 133:35 - “We’re teaching the Islanders how to check people” 135:36 - Rangers game story and the “Renny, fucking time, sweetheart” line on TV 136:14 - Live breaking news about a cow loose in Brooklyn 138:24 - Ricky and Mark talk about baking, Oreos, and childhood snack rituals 140:19 - Closing music block preview with Green Day and Arch Enemy 149:16 - Mark explains why Green Day’s Time of Your Life was used at Jeff’s burial 149:54 - Lars closes with final remarks 151:13 - Ricky signs off and previews next week’s birthday show 153:08 - Final season four sign off from Ricky and Lars 153:46 - Green Day, Time of Your Life plays over the close 156:00 - End card and network promo<h6>Notable quotes</h6><ul><li>“Number seven is huge.”</li><li>“We’re teaching the Islanders how to check people in the corners.”</li><li>“I hope you had the time of your life.”</li></ul><h6>Action items</h6><ul><li>Listen to the St. Paddy’s Day episode if you want to help push it higher on the Celtic chart.</li><li>Check out the recent interview episodes with Escalate, Ventress, and The Reality of Yourself.</li><li>Tune in next week for the birthday show with Chris Rex in studio.</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - A Day of Celebrations

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/3/99910efd-7f1d-4ac9-9af6-2c2f99760941_yc_s1_-_independent_artist_show_dec_30th__2020.mp3

<h5>Pipe Bomb Radio Independent Artist Show</h5>This episode is a high energy year end special built around independent artists from around the world. Ricky and Lars use the show to spotlight unsigned talent, talk about the submission surge, and frame the whole broadcast as both a music showcase and a community builder.The episode matters because it is more than a playlist - it is a launchpad. Ricky repeatedly emphasizes that listeners should join the chat, connect with other artists and promoters, and stick around for a major announcement at the end.<h6>Key topics</h6><ul><li>In this episode: Pipe Bomb Radio kicks off its independent artist showcase with Bin Bag Wisdom, a melodic anarcho jazz hop group blending live hip hop, soul, and jazz elements.</li><li>Ricky and Lars talk about the overwhelming response to the call for submissions, including more than 400 entries and a chat full of artists, fans, and promoters.</li><li>We discuss how the show is designed to create opportunities for indie bands to connect with promotion companies and with each other, not just get airtime.</li><li>In this episode: Sean Graham&#39;s Elsie&#39;s Cup gets praise for its Beatles-inspired feel and long form collaboration story tied to the John Lennon songwriting contest.</li><li>Ricky highlights the strength of overseas submissions, especially artists from Scotland, the UK, Sweden, and other international scenes.</li><li>We discuss Lucid Liars, The Streams, and Way Dim as examples of how the show moves across genres, from indie rock to alt rock to ska and heavier material.</li><li>In this episode: the ska block features The Mishaps, Bunny Lewis and the Rabbit Grenades, Lively Up, and the Johnny Rock Band, with Ricky openly warming to ska as the set rolls on.</li><li>Ricky makes a point of spotlighting female vocalists, praising Naive, Smooth Saline, Janice Lee, and Boy Blue for standout voices and range.</li><li>We discuss Janice Lee&#39;s My Heart Is Complicated, which Ricky places in the lineage of Joan Jett and Pat Benatar.</li><li>In this episode: the youth movement becomes a major theme, with Ronan, Revivalry, Robot and Gods, and other young artists framed as the next generation of the scene.</li><li>Ricky tells the story of Jadalia, a New York folk rock rabbi, and praises Divine Inspiration for its unusual identity and catchy hook.</li><li>We discuss country and southern rock turning heads too, especially Brandon Bing, Gypsy Rose, Black Wolf Mountain, Farewell to Fear, and the Jeff Carlson Band.</li><li>In this episode: Lower Line&#39;s post Hurricane Katrina comeback becomes one of the most emotional moments of the show.</li><li>Ricky closes by announcing that several artists from the episode will move into regular rotation starting January 11, 2021.</li></ul><h6>Timestamps</h6>00:00 - Sponsor intro and fan merchandise announcement 04:37 - Welcome to the final Pipe Bomb Radio show of 2020 06:03 - Why this show is built for international independent artists 08:15 - Over 400 submissions and the opportunity for artists to connect 10:12 - Bin Bag Wisdom leads off with melodic anarcho jazz hop 16:49 - Sean Graham&#39;s Elsie&#39;s Cup and the Beatles influence 24:45 - Why listeners should not judge bands by their names 32:27 - The Streams and a strong Scottish alt rock slot 38:40 - Way Dim and the shift into heavier energy 49:47 - Ska block introduction and the four-band rotation 55:40 - The Mishaps open the ska run 65:29 - Female vocalists become the focus 67:54 - Naive&#39;s genre blending and vocal style 68:48 - Smooth Saline and the &#34;music made for all ears&#34; tagline 76:58 - Clay Soldiers and the rise of UK heavy melodic rock 82:42 - Boy Blue&#39;s cross-country collaboration and Misty Blue 89:22 - Jake Stag and the unexpected backstory behind Ignite 94:55 - Jadalia, a folk rock rabbi with a unique perspective 100:43 - Country and southern rock get their turn 101:13 - Brandon Bing and Gypsy Rose on the same block 110:13 - Chasing Alice and David Van Sice bring a harder edge 120:53 - Janice Lee&#39;s My Heart Is Complicated and the Pat Benatar comparison 127:06 - Revivalry becomes the first artist ever played on Pipe Bomb Radio 128:29 - Ronan, Revivalry, and Robot and Gods in the youth block 140:56 - Crossover&#39;s new release and the band&#39;s growth since 2012 149:46 - Black Wolf Mountain, Farewell to Fear, and Jeff Carlson Band 164:54 - Lower Line&#39;s Hurricane Katrina story and comeback 176:45 - Rivers and Satellites trivia tease and the final stretch 191:27 - Tim Urban, Bullet to the Heart, and Changing Times 204:11 - Pressure from Stockholm and the Swedish connection 210:41 - Mind Device and the decision to make the music count 219:06 - January 11 announcement: regular rotation for selected artists 220:34 - Final track tease and closing message for 2020<h6>Notable quotes</h6>Copy&#34;There is just way too much untapped talent on the planet right now.&#34; Copy&#34;This show is going to bring out a lot of untapped talent.&#34; Copy&#34;You guys have basically gone through our version of American Idol.&#34; <h6>Action items</h6><ul><li>Join the live chat when these shows air so artists and fans can interact.</li><li>Submit more than one track if you want to be considered for future Pipe Bomb Radio shows.</li><li>Keep listening through the end of the episode for major announcements and future rotation details.</li><li>Stay connected to the independent artist community, because the show is actively building ongoing regular rotation for selected acts.</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Independent Artist Show Dec 30th, 2020

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/4/a4be95fc-b84c-423b-985e-4b44ecc0eabe__radio_nyc_s3_-_interview_with_rokk_of_xskull8.mp3

<h6>Escalate on Pipe Bomb Radio NYC</h6>Ricky is joined by Lars and Rock from Xskull8 for a wide-ranging conversation about the band’s name change, lineup, studio workflow, lyrical themes, and plans to tour beyond Slovenia. The episode also digs into how Escalate builds songs with a large creative team, why their sound has evolved, and what fans can expect next.In this episode:<ul><li>Rock explains the origin of the old name, Captain Morgan’s Revenge, as a drunken joke that stuck long enough to become a band identity</li><li>The band’s shift to Escalate in 2020 was tied to a label deal, lineup changes, and a desire for a name that matched the music’s growth</li><li>Rock breaks down how the live lineup works with key players like Klamon on drums, Johnny on guitar, and Nate on bass</li><li>The full team behind the band includes producer Matei Pichavar at Cosmosonic Studio, live sound engineer Ape, driver Alan, manager Tina, merch and finance lead Susannah, photographer Simon, and the video crew Mirror to Mirror</li><li>Escalate’s studio process is highly collaborative and efficient, with demos built at home and songs shaped closely with Matei before recording</li><li>Rock talks about the meaning behind A Minute for Tomorrow, which is about not judging people too quickly and giving relationships time to reveal who someone really is</li><li>He cites Black Stone Cherry as the spark that started the project, with later influence from Alter Bridge, Five Finger Death Punch, and several late 1990s and 2000s rock and metal bands</li><li>The band aims for albums that feel cohesive but still varied, avoiding records that sound identical from start to finish or jump randomly between genres</li><li>Rock shares his five questions of death answers, including Phil Collins as his dream show collaborator and Parkway Drive as a current band he’d love to share a stage with</li><li>Leaves Are Falling is described as a song about sharing problems, finding perspective over time, and letting life’s struggles make more sense with age</li><li>The Leaves Are Falling video was filmed under strict COVID curfew limits in one day across two locations, making the shoot intense but ultimately successful</li><li>Escalate’s next big goal is touring, especially in the United States, after chart success and growing attention outside Slovenia</li></ul>Timestamps: (0:12) - Pipe Bomb Radio NYC intro and welcome to Xskull8 (1:09) - The drunken origin of Captain Morgan’s Revenge (2:07) - Why the band changed its name to Escalate (4:47) - How the live lineup and extended crew shape the band (7:03) - Producer Matei Pichavar and the fast studio workflow (8:00) - Live sound, logistics, management, merch, and visual production (12:32) - Playing Poland and hopes for more European shows (18:19) - The meaning behind A Minute for Tomorrow (21:19) - Musical influences from Black Stone Cherry to modern metal (23:24) - Making albums cohesive without sounding repetitive (25:42) - The five questions of death (26:14) - Late-night snacks and favorite fries (27:51) - Dream collaborations: Phil Collins, Killswitch Engage, Parkway Drive (29:39) - Rock’s pre-show and pre-studio routine (33:03) - Early listening habits and first major influences (34:54) - First CD memories, including Elvis Presley and John Williams (40:40) - The message behind Leaves Are Falling (41:11) - Filming the Leaves Are Falling video during COVID curfew (44:04) - Touring goals in the United States and Europe (47:00) - Rock’s lyric writing process and co-writing with Johnny (48:27) - Social media, fan group, and where to find the band (49:36) - Closing thanks and sign-off Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Interview with Rokk of Xskull8

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<h5>Tuesday Remixes on Pipe Bomb Radio NYC</h5>Ricky and Alex run a high-energy remix-heavy episode built around club-ready mashups, battles, and bootlegs. The show is part music showcase, part promo-driven radio chaos, with recurring talk about the station, donations, merch, and upcoming shows.They cover the shift away from indie-focused programming, the growth of the remix blocks, and why themed music nights are becoming a bigger part of the station’s identity. Ricky also teases future additions, including more nights of remix programming and the new wrestling-focused show Ringside Chaos.<h6>Key topics</h6><ul><li>Ricky explains the show change from an indie slash remix format to mostly remixes after some indie artists dropped off the roster.</li><li>The hosts emphasize that remixes are now the backbone of the Tuesday show, with newer tracks, returning favorites, mashups, and battle-style edits.</li><li>Ricky talks about owning and programming Sound Machine FM, including a Saturday night remix block that runs 4 and a half hours.</li><li>The episode highlights how the remix schedule may expand to Friday and Saturday nights, creating 7 and a half hours of remix time.</li><li>Ricky and Alex joke about the energy of the show, the clean-but-provocative tone, and how the production stays edgy without fully crossing the line.</li><li>Multiple remix blocks are introduced and summarized, including:</li><li>R.</li></ul>E.M. Losing My Religion remix<ul><li>Eminem versus Prodigy versus TJR versus Bauer versus Nero</li><li>Limp Bizkit Behind Blue Eyes remix</li><li>Gorillaz</li><li>Pink Floyd versus Queensrÿche</li><li>Trap-style Led Zeppelin</li><li>AC/DC Highway to Hell remix</li><li>Avenged Sevenfold versus Mr. Creep</li><li>Bon Jovi Living on a Prayer remix</li><li>Peter Frampton remix</li><li>Taisto Ava Max versus Ludwig van Beethoven</li><li>Sublime versus Everlast</li><li>Megadeth versus Shakira</li><li>Queen versus Rage Against the Machine versus Prodigy versus Skrillex</li><li>Justin Bieber versus Coolio</li><li>Faith No More featuring Kid Rock</li><li>Adele versus Guns N’ Roses</li><li>Linkin Park versus U2</li><li>Eye of the Tiger remix</li><li>Ricky promotes listener support through PayPal donations, saying different contribution levels can unlock themed shows during the month.</li><li>The hosts mention merch, sponsorships, and the importance of the audience sharing and supporting the show.</li><li>Ricky previews Ringside Chaos, a new wrestling podcast connected to Pipe Bomb Productions and the Bear of Texas podcast network.</li><li>The episode closes with thanks to listeners and a nod to upcoming programming, including Windback Wednesdays and future live shows.</li></ul><h6>Timestamps</h6>00:00 - Opening stinger and sponsor reads 06:07 - Ricky opens the Tuesday remix show with Alex and explains the sudden lineup change 08:32 - Sound Machine FM and the Saturday night remix block 10:30 - Building seven and a half hours of remix programming 12:23 - How the show stays clean while still pushing the edge 13:18 - First major remix block intro and audience call to share the show 14:17 - Soundbite intro and the first set of remixes 30:31 - Recap of the opening block: R.E.M., Eminem mashup, and Limp Bizkit 31:27 - Why this music works better in clubs than on regular radio 34:30 - Second remix block: Gorillaz, Pink Floyd versus Queensrÿche, Led Zeppelin, AC/DC 52:23 - Donation support, themed show access, and listener participation 55:08 - Expanding the remix blocks and introducing Ringside Chaos 56:56 - Upcoming mashups including Avenged Sevenfold, Bon Jovi, Peter Frampton, Beethoven, and Sublime 75:12 - Recap of the mid-show block and banter about waking the audience up 77:33 - Listener shoutouts and a running chicken joke 79:42 - Final major remix block: Megadeth, Shakira, Crazy Train, Queen, Rage Against the Machine, Prodigy, Skrillex 99:34 - Block recap and a look ahead to the rest of the day 101:59 - Final hour lineup: Justin Bieber versus Coolio, Faith No More, Adele versus Guns N’ Roses, Linkin Park versus U2 120:40 - Final thoughts from Ricky and Alex on the remix session 122:58 - Show sign-off and Eye of the Tiger outro<h6>Notable quotes</h6><ul><li>“All gas, no breaks, balls to the walls.”</li><li>“They wanted the best, but they didn’t make it, so they are stuck with you and me, baby.”</li><li>“A tremendous day of remixes today.”</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Tuesday Remixes 9/6/2022

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<h5>Pipe Bomb Radio NYC Birthday Show</h5>Pipe Bomb Radio NYC celebrates Ricky’s birthday with a loose, high-energy live episode built around music, memory, and nonstop storytelling. Ricky is joined by Missy, Lars, and Alex Alcazaz, and the show bounces between birthday banter, personal history, sports talk, and a deliberately wild playlist.This episode matters because it feels like a reset as much as a birthday show. Ricky uses the occasion to reflect on the show’s past, shout out listeners, and lay out plans to rebuild the brand while keeping the chaotic, anything-goes spirit intact.<h6>Key topics</h6><ul><li>In this episode, Ricky opens with birthday-show chaos, introducing Missy, Lars, and Alex Alcazaz and joking about the live video setup, the missing co-hosts, and the show’s long-running crew dynamic.</li><li>He spends a long stretch telling a detailed story about having to relieve himself outdoors while working overnight security in Midtown Manhattan, including the construction site, the police boat, and the officer who catches him in the act.</li><li>The conversation turns into a broader riff on public restrooms, city travel, awkward bathroom moments, and how often New York life forces people into ridiculous situations.</li><li>Ricky reflects on the show’s history, mentioning Bedroom Radio, how he met Missy, and how several personalities moved from one show into Pipe Bomb Radio’s orbit.</li><li>The episode includes a birthday playlist spanning several decades, with tracks from artists like Peter Gabriel, the Fugees, Daughtry featuring Lzzy Hale, Ugly Kid Joe, Tupac featuring Dr. Dre, Ray Stevens, Edwin Starr, Robert Palmer, Thy Art Is Murder, and Simple Minds.</li><li>Ricky explains that this birthday set was intentionally unpredictable and different from previous years, with no repeated tracks from past birthday shows.</li><li>There’s a lot of discussion about rebuilding the archive and expanding the show’s reach, including older episodes being reposted, Spotify returning, and building out the show’s home presence.</li><li>Ricky and the crew also talk about sports, including baseball, the World Baseball Classic, the NBA, soccer, and their usual back-and-forth about live versus pre-recorded matches.</li><li>A recurring theme is age and perspective, with Ricky joking about the George Carlin age rule, turning “ten,” and using humor to soften real talk about getting older, diabetes, weight loss, and health changes.</li><li>The episode closes on an emotional note as Ricky thanks Alex for his support, talks about loyalty and rebuilding the brand, and ends the show with Simple Minds’ “Don’t You Forget About Me.”</li></ul><h6>Timestamps</h6>00:00 - Opening chaos and birthday-show setup 05:09 - Happy birthday, introductions, and the live crew 08:30 - Pope hospital update and early banter 10:47 - Ricky’s security job bathroom disaster in Manhattan 16:28 - The softball field bathroom story 19:44 - The woman peeing between cars in the city 23:53 - Dave’s trucker and limo-driver bathroom perspective 25:53 - Reposting old Pipe Bomb episodes and platform updates 29:38 - Birthday playlist preview and four-and-a-half decades of music 44:31 - Reviewing Peter Gabriel, Fugees, and Daughtry 46:30 - Birthday history and how the crew came together 49:09 - Bedroom Radio, Missy joining the show, and old drama 52:55 - The George Carlin age rule and birthday-age math 57:34 - Setting up the next music block 58:02 - Ugly Kid Joe, Tupac, Rolling Stones, and Ray Parker Jr. 75:27 - Platform sponsorships and the show’s live return 77:02 - Talking birthdays, family, tattoos, and being the “black sheep” 80:43 - Mark’s rant, social media drama, and political fatigue 84:24 - Valentine’s show callback and content history 86:19 - Gaming streams, Halo, and old video game memories 88:17 - Nintendo Power Pad and childhood chaos 90:43 - Ronan’s growth and early predictions paying off 92:31 - Soccer watch-along disagreement 99:39 - Baseball, the World Baseball Classic, and sports timing 104:04 - Recreating Ricky’s “birth” live on air 105:55 - Ray Stevens, Edwin Starr, and the streaking song block 122:04 - Why UB40 is banned from the show 129:56 - Reclaiming and redesigning Pipe Bomb Radio 136:10 - Compliments, social media, and listener frustration 140:38 - Final music block setup and birthday wrap-up 153:37 - Weight loss, diabetes, and looking back at old photos 165:35 - Closing thoughts, gratitude, and Simple Minds finale<h6>Notable quotes</h6>Copy“It’s my birthday, and there better be a lot more motherfuckers in here than six.” Copy“When you gotta go, you gotta go.” Copy“I’ve officially now covered all four and a half decades.” Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Master of Mayhems Birthday Show

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/2/7ee3d60a-35ed-4137-9437-6768b9ee755f_039_-_pipebomb_radio_nyc_s4_-_trance_psy_show.mp3

<h5>Pipe Bomb Radio NYC: Trance, Techno, Dark Techno, and Progressive Club Mix</h5>Ricky Litwinkovich returns to the mic with a genre-blending club set that moves through trance, techno, dark techno, psytrance, and progressive remix territory. Beyond the music, he reflects on the underground club scenes that shaped his taste, especially the Batcave slash Albion era, and shares a candid update about applying for a job at 101.1 CBS FM while recording the show.In this episode, Ricky also breaks down the tracks in each block, explains the mix’s club-inspired energy, and closes with a stacked run of remixes including David Guetta, Lady Gaga, Bob Marley, LMFAO, Skrillex, and a final Cranberries remix saved for last.<h6>Key topics</h6><ul><li>Ricky opens with a club set built around trance, techno, dark techno, psytrance, and progressive sounds</li><li>He frames the episode as a return to the mic after time away and says he wanted to bring back a remix-heavy format</li><li>The first stretch features Talking Heads, Crazy Town, and Gorilla, with Ricky calling out the specific remixes as he goes</li><li>He talks about the Batcave slash Albion as an influential underground venue where multiple scenes and styles mixed together</li><li>Ricky uses that club memory to explain the spirit of the show: a place where people could dress up, let loose, and hear everything from emo and new wave to black metal</li><li>Mid-show, he reveals he is filling out a job application for 101.1 CBS FM while the episode is being recorded</li><li>He outlines the next blocks with tracks from David Guetta, Lady Gaga, Bob Marley, Metro Boomin, The Weeknd, and 21 Savage</li><li>The set later shifts into LMFAO and Skrillex remixes before closing with The Cranberries&#39; &#34;Zombie&#34; in a final psytrance-style remix</li><li>Several voice drops from artists and scene figures punctuate the mix, reinforcing the club-radio format</li><li>Ricky signs off by pointing listeners back to the show’s audio platforms and social pages and says the episode was saved &#34;best for last&#34;</li></ul><h6>Timestamps</h6>00:00 - Opening sponsor mentions and partnership announcements 04:34 - Ricky returns and introduces Pipe Bomb Radio NYC 05:02 - Genre rundown: techno, trance, dark techno, and remix club energy 06:27 - Talking Heads, Gorilla, and Crazy Town in the opening block 21:53 - Ricky breaks down the first block and his return to the mic 23:17 - Batcave slash Albion memories and the underground club influence 25:10 - Upcoming tracks previewed: Marga, Kid Cudi, Tattoo, and Swedish House Mafia 41:35 - Full recap of the block: Move It, Day and Night, All the Things She Said, and Moth to a Flame 42:35 - Ricky reveals he is applying for a job at 101.1 CBS FM during the show 43:25 - Next block preview: David Guetta, Lady Gaga, Bob Marley, and The Weeknd with 21 Savage 62:06 - Recap of the David Guetta, Lady Gaga, Bob Marley, and Metro Boomin block 62:35 - LMFAO and Skrillex remixes lead into the closing stretch 70:56 - Final sign-off and listener shoutouts 71:51 - The Cranberries&#39; &#34;Zombie&#34; remix is saved for last 77:47 - Closing promo and show network mentions<h6>Notable quotes</h6>Copy&#34;We have artists on here like David Guetta. We have Talking Heads. We have LMFAO. We have some Bob Marley.&#34; Copy&#34;People from all walks of life that wanted to just let their hair down, move around like they didn&#39;t care, dress up like they didn&#39;t care.&#34; Copy&#34;On today&#39;s show, which was I think was the best, and we saved the best for last.&#34; <h6>Action items</h6><ul><li>Check out Pipe Bomb Radio NYC across the platforms Ricky mentions during the outro</li><li>Look for the next episode of the season</li><li>Explore the other Pipe Bomb shows Ricky name-checks in the closing promos</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

pipebomb Radio NYC - Psy Trance Show

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<h5>Silence and Surrender on Pipe Bomb Radio NYC</h5>Ricky and Lars sit down with Ben, Pete, and Paul of Silence and Surrender for a wide-ranging interview about the band’s sound, songwriting process, and the ideas behind their upcoming album Feartopia. The conversation digs into their influences, their experimental approach to arranging songs, and how themes like mental health, mortality, and catharsis shape the music.We also talk about the Time on Prescription track, the black-light visual style used in the band’s video work, and how they balance heavier emotional subject matter with a sense of fun and creative freedom.<h6>Key topics</h6><ul><li>In this episode: Ben, Pete, and Paul trace their musical roots from classic rock and grunge to nu metal, metalcore, and modern experimental heavy music.</li><li>The band’s core influences: Slipknot, Linkin Park, Iron Maiden, Metallica, Black Sabbath, Nirvana, Pearl Jam, Soundgarden, Faith No More, Tool, Bring Me the Horizon, Post Malone, and Lana Del Rey all come up as part of the band’s wide listening range.</li><li>Why the band is called Silence and Surrender: The name came from an old song title, and the acronym SINS fit the themes they were already writing about.</li><li>Mental health and catharsis: Several songs are about struggle, addiction, loneliness, and the feeling of being stuck, but the goal is to release those emotions rather than wallow in them.</li><li>Feartopia details: The new album has 12 tracks plus a bonus track and was scheduled for release on 19 May.</li><li>Songwriting is collaborative but fluid: Ben brings ideas, then Pete helps shape the structure, while the rest of the band develops parts organically instead of forcing a formula.</li><li>They avoid writing by template: The band deliberately moves away from rigid verse chorus structures when the song needs something stranger or more dynamic.</li><li>The black-light video aesthetic: The visual style for “Hunting Season” was designed to be striking and playful, mixing creepy imagery with bright rave-like colors.</li><li>Time on Prescription: The track is about mortality, time running out, and making the most of life while you can.</li><li>Live favorites: More emotional, slowly building songs like “Time on Prescription” and “In My Last Memory” seem to connect strongly with crowds.</li><li>Scene support matters: They shout out fellow bands like Clay Soldiers, Call of Sirens, Armstrong Gun, and Ana’s as part of the same supportive network.</li><li>Their goal is simple: Make good songs, enjoy the process, and keep evolving without chasing a formula.</li></ul><h6>Timestamps</h6>00:00 - Pipe Bomb Radio NYC intro and guest introduction 01:06 - Meet Silence and Surrender: Ben, Pete, and Paul 03:00 - Paul’s influences from nu metal to classic heavy music 04:51 - Pete’s early exposure to Queen, Zeppelin, and Hendrix 05:33 - Ben’s guitar heroes: Cobain and Hendrix 09:23 - Where the band sits between 90s roots and modern influences 10:41 - Why the new album pushes beyond the first EP 12:28 - Feartopia release date and track count 12:55 - How the band name Silence and Surrender was chosen 13:48 - The meaning behind the SINS acronym and lyrical themes 16:32 - Creating the black-light visual style for “Hunting Season” 18:14 - Creepy imagery, bright color, and not taking themselves too seriously 19:12 - Why every track feels different but still cohesive 20:35 - Making the video fun and visually distinct 23:44 - How the band writes songs together 26:04 - Keeping multiple songs in progress at once 26:56 - Gigs, bassist issues, and live plans 28:12 - The meaning behind “Coming Up” 29:40 - “Coming Up” airs in full 35:39 - Reactions to the track and its emotional impact 38:04 - How quickly “Time on Prescription” came together 39:28 - Introducing The Five Questions of Death 40:24 - Favorite chip choice at a diner 41:48 - Late-night snack answers 43:49 - Dream collaborator for the stage 46:04 - Ideal huge venue or unusual stage 48:53 - The state of rock in America and mainstream music 50:09 - Why independent bands keep the genre alive 53:53 - Openers versus headliners and discovering new music 58:39 - Competing with major acts while raising production standards 60:30 - Which songs work best live 62:53 - Backstory for “Time on Prescription” 65:43 - “Time on Prescription” plays 71:22 - The sudden ending of “Time on Prescription” 73:38 - More on songwriting process and creativity 76:58 - Bands they’d like to see interviewed next 78:53 - Shameless self-promotion and album/merch talk 80:41 - Videos and visualisers planned for every album track 81:38 - Closing thoughts and thanks 83:30 - Outro and network promo<h6>Notable quotes</h6><ul><li>“We’re not forcing ourselves down a path.”</li><li>“It’s cathartic more than sort of like trying to get people down.”</li><li>“If it’s not fun anymore, that’s the whole source of doing it.”</li></ul><h6>Action items</h6><ul><li>Check out Feartopia when it releases on 19 May.</li><li>Watch the band’s visual work, especially the videos and visualisers tied to the album.</li><li>Look up their live shows if you want to hear the more dynamic, progressive versions of the songs.</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Silence in Surrender Interview

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<h5>Pipe Bomb Radio NYC Christmas Show</h5>Pipe Bomb Radio NYC goes full holiday chaos in this Christmas-themed broadcast, mixing classic carols, country cuts, metal, novelty tracks, and a few surprise movie picks. Ricky keeps the energy loose and outspoken while building a wide-ranging holiday playlist and reacting in real time to the songs, requests, and small audience turnout.This episode is mostly a music-driven solo show from Ricky, with shoutouts and pre-recorded intros from several guests and collaborators. Along the way, he covers his holiday plans, takes a requested song from Tabitha, and briefly breaks down a list of Christmas movies that have and have not crossed his path.<h6>Key topics</h6><ul><li>Ricky opens with a festive intro and sets the tone for a Christmas show that is intentionally all over the place</li><li>He explains that he has 305 tracks available, but will only play a curated slice of them across a few hours</li><li>The show mixes Christmas music across genres, including Melissa Etheridge, Tino Rossi, Ava Cassidy, Andrea Bocelli, Chicago, Alan Jackson, Eartha Kitt, George Strait, the Eagles, Elvis Presley, Elton John, Queen, Celine Dion, Andrea Bocelli, Kenny Rogers, Dolly Parton, Alabama, Billy Idol, Stevie Wonder, Weird Al, Judy Garland, Christina Aguilera, Bob Marley, Trans-Siberian Orchestra, Pat Benatar, Bob Dylan, Charlie Daniels Band, the Pogues, the Jackson 5, Primus, Twisted Sister, and more</li><li>Ricky gives live commentary on the songs, including jokes about country music, reindeer, and how some tracks are unexpectedly short</li><li>He shares his holiday schedule, including family plans, Sunday obligations, and why he chose to do the show on December 22 instead of Christmas Day</li><li>A listener request is fulfilled for Tabitha, who asks for Celine Dion and Andrea Bocelli’s “The Prayer”</li><li>Ricky highlights a movie segment based on a Rotten Tomatoes Christmas ranking and notes several titles he has never seen, including Meet Me in St. Louis, The Shop Around the Corner, The Holdovers, Tangerine, and The Apartment</li><li>He calls out familiar holiday favorites like Miracle on 34th Street, The Nightmare Before Christmas, Die Hard, It’s a Wonderful Life, A Christmas Story, and Edward Scissorhands</li><li>The show includes several station-style drop-ins and promo reads from people connected to the broader Pipe Bomb Radio universe</li><li>Midway through, Ricky shifts into a more personal and frustrated monologue about depression, anxiety, turnout, promotion, and feeling ignored despite putting major effort into the show</li><li>He connects that frustration to the Fight Your Demons collection and the support it is meant to raise for mental health causes</li><li>The final stretch becomes a hard-edged closing run with novelty and rock Christmas songs, ending the broadcast in Ricky’s usual blunt, chaotic style</li></ul><h6>Timestamps</h6>00:00 - Opening Christmas performance and holiday mood-setting 05:09 - Pipe Bomb Radio NYC intro and sponsor-style station ID 06:54 - 305-track playlist, guest invitations, and taking Christmas requests 09:12 - First music block and the random holiday mix 24:17 - Why the show is a few hours, not 305 tracks long 25:42 - Reindeer jokes, genre mixing, and the holiday playlist philosophy 27:06 - Quick block setup and short Christmas songs strategy 33:16 - “Rudolph the Red-Nosed Reindeer” and “Santa Baby” run 39:37 - Why the show is happening on December 22 instead of Christmas Day 42:42 - George Strait, Eagles, Elvis, Elton John, and Queen block preview 44:12 - “Old Time Christmas” and nostalgia-driven holiday themes 47:26 - “Please Come Home for Christmas” and “Santa Bring My Baby Back to Me” 60:16 - Rebuilding the playlist after a mic issue and naming the Christmas run 61:15 - Tabitha’s request and the next multi-artist holiday block 62:50 - “The Prayer” and songs about faith, safety, and Christmas spirit 77:22 - “Thistlehair the Christmas Bear” and the storybook holiday run 81:26 - First time hearing many of these songs and the upcoming movie segment 84:21 - Adding Stevie Wonder, Weird Al, Judy Garland, Christina Aguilera, and Bob Marley 106:10 - Christmas movie ranking discussion and unfamiliar titles 108:34 - “A Christmas Story” and “Edward Scissorhands” on the list 110:01 - Trans-Siberian Orchestra, Flaming Lips, Pat Benatar, Bob Dylan, Charlie Daniels Band, and the Pogues 131:54 - Fight Your Demons merch promo and mental health fundraising mention 133:44 - Personal reflection on depression, anxiety, and why Christmas feels difficult 137:38 - Frustration over turnout, promotion, and feeling ignored 138:29 - Final closing block with Mario Lanza, REO Speedwagon, Primus, Jackson 5, Elmo and Patsy, and Twisted Sister 158:33 - Final two-song sendoff and show close<h6>Notable quotes</h6>Copy“Pipe Bomb Radio NYC. It’s not just a name, it’s an attitude.” Copy“Christmas sucks.” Copy“I’m bringing you Christmas only the way Pipe Bomb Radio NYC can bring you Christmas.” <h6>Action items</h6><ul><li>Listen back for the requested holiday mix if you want a very non-traditional Christmas playlist</li><li>Check the movie segment if you want Ricky’s take on classic and unusual Christmas films</li><li>If you are sensitive to a more personal tone, skip ahead near the final third where the show turns reflective and confrontational</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - Christmas Show 12/23/23

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/8/19/1/a263fcea-6beb-4fa4-b474-69c876b52ed9_mb_radio_nyc_-_lars_birthday_show_1_-_3_-_2024.mp3

Pipe Bomb Radio NYC kicks off 2024 with a birthday celebration for Lars the Viking Johnson, a fast moving mix of music, live banter, listener shout-outs, and plenty of off the cuff comedy. Ricky and Lars use the show to welcome callers, thank friends who sent birthday wishes, and set the tone for the year with a high energy playlist and the show’s trademark attitude.Along the way, they talk about the show’s long running growth, upcoming collaborations, and the broad mix of music and platforms that have become part of the Pipe Bomb ecosystem.<h6>Key topics</h6><ul><li>In this episode: the crew celebrates Lars’s birthday and opens the year with a live broadcast packed with listener interaction, jokes, and music requests.</li><li>Ricky introduces the show as a New York based radio program with attitude, and explains that the team is live on January 3, 2024 for the first Pipe Bomb Radio NYC show of the year.</li><li>Lars’s birthday is the centerpiece, with multiple birthday shout-outs and messages from friends and listeners throughout the show.</li><li>The hosts spend time talking about the show’s reach across platforms, including the backlog of Pipe Bomb Radio NYC and Pipe Bomb Metallic episodes.</li><li>Music curation is a major thread, with Ricky and Lars comparing their picks and building blocks around metal, hip hop, R and B, and dance tracks.</li><li>They highlight Baby Metal as an ongoing favorite and explain why the band keeps showing up in live shows.</li><li>Listener participation matters here, with repeated calls for people to join the chat, request songs, and keep the room active.</li><li>Ricky talks about the evolving Pipe Bomb network, including collaborations with different co hosts, future oldies programming, and more pre taped interviews.</li><li>The show leans into Ricky’s usual blend of humor, profanity, and unfiltered commentary, especially during tangents about technology, retail, and everyday frustration.</li><li>Toward the end, the episode turns reflective about the growth of the show since the pandemic era and the effort it takes to keep producing content across multiple shows and platforms.</li></ul><h6>Timestamps</h6>00:00 - Opening the birthday show for Lars 04:55 - First show of 2024 and the birthday celebration begins 08:14 - Birthday messages, cold symptoms, and listener check ins 10:36 - Why the show has attitude and uses strong language 16:21 - Taking requests and building the music block 18:40 - How Ricky and Lars build different playlists 21:03 - Expanding Pipe Bomb Radio across platforms 23:31 - Song picks for the first block 24:31 - Ricky’s media production work and multiple hats 36:23 - Pipe Bomb Radio NYC reaches a big episode milestone 38:14 - Cora’s techno channel and possible future collaborations 39:28 - How the show changed over the last two years 43:03 - Customer service, retail, and knowing when to end a complaint 46:31 - Multiple January 3 birthdays and Lars’s age reveal 67:17 - Famous birthdays tied to January 3 73:18 - Five years of Pipe Bomb Radio and every request getting played 75:13 - The challenge of pronouncing artists and names across languages 78:19 - Cora’s request and the birthday music block 94:48 - New listeners, show evolution, and future guests 97:40 - The Brooklyn Bridge and a historical tangent that derails the list 104:06 - Final birthday block and New York themed tracks 121:09 - Fundraising merch spot and why the cause matters 127:10 - Closing message about fighting the global bastard era 129:31 - Wrap up from Missy and final shout outs 134:36 - Signing off and transitioning to the closing Beastie Boys track<h6>Notable quotes</h6><ul><li>“Pipe Bomb Radio NYC. It&#39;s not just a name, it&#39;s an attitude.”</li><li>“Do not let the name fool you.”</li><li>“There has not been one request that I have denied on the show.”</li></ul><h6>Action items</h6><ul><li>Follow the show on the platforms mentioned in the episode to catch new and older archives.</li><li>If you want a song played on air, send in a request during the live stream.</li><li>Check out the merch fundraiser tied to anxiety and depression awareness.</li><li>Watch for upcoming oldies programming and future guest co hosts.</li></ul> Support this podcast at — <a rel='payment' href='https://redcircle.com/pipebomb-radio-nyc/exclusive-content'>https://redcircle.com/pipebomb-radio-nyc/exclusive-content</a>

Pipebomb Radio NYC - 1/3/24 Lars Birthday Episode

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Based in the concrete jungle, Pipebomb Radio NYC is a digital hub dedicated to the creators, hustlers, and visionaries shaping New York culture. Whether it’s deep-dive artist spotlights or live streetwear drops, we provide a platform for the voices that define the city. Authenticity isn't optional—it's our frequency.