"I'd tasted blood, and it was all over with me. Why should I work when I could steal? Why settle down to some humdrum uncongenial billet, when excitement, romance, danger and a decent living were all going begging together?"- A. J. Raffles, The Ides of March.

The Amateur Cracksman is the first collection of stories about A. J. Raffles, gentleman, cricketer, and thief. After stopping his old school friend, Bunny Manders, from a desperate attempt at suicide, Raffles introduces the unsuspecting Bunny to a new way of earning a living, burglary. Though frequently horrified by Raffles's actions, the conscience-stricken Bunny stands by him through all their adventures, firm to his promise, "When you want me, I'm your man!"

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"I'd tasted blood, and it was all over with me. Why should I work when I could steal? Why settle down to some humdrum uncongenial billet, when excitement, romance, danger and a decent living were all going begging together?"- A. J. Raffles, The Ides of March.

The Amateur Cracksman is the first collection of stories about A. J. Raffles, gentleman, cricketer, and thief. After stopping his old school friend, Bunny Manders, from a desperate attempt at suicide, Raffles introduces the unsuspecting Bunny to a new way of earning a living, burglary. Though frequently horrified by Raffles's actions, the conscience-stricken Bunny stands by him through all their adventures, firm to his promise, "When you want me, I'm your man!"

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"I'd tasted blood, and it was all over with me. Why should I work when I could steal? Why settle down to some humdrum uncongenial billet, when excitement, romance, danger and a decent living were all going begging together?"- A. J. Raffles, The Ides of March.

The Amateur Cracksman is the first collection of stories about A. J. Raffles, gentleman, cricketer, and thief. After stopping his old school friend, Bunny Manders, from a desperate attempt at suicide, Raffles introduces the unsuspecting Bunny to a new way of earning a living, burglary. Though frequently horrified by Raffles's actions, the conscience-stricken Bunny stands by him through all their adventures, firm to his promise, "When you want me, I'm your man!"

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"I'd tasted blood, and it was all over with me. Why should I work when I could steal? Why settle down to some humdrum uncongenial billet, when excitement, romance, danger and a decent living were all going begging together?"- A. J. Raffles, The Ides of March.

The Amateur Cracksman is the first collection of stories about A. J. Raffles, gentleman, cricketer, and thief. After stopping his old school friend, Bunny Manders, from a desperate attempt at suicide, Raffles introduces the unsuspecting Bunny to a new way of earning a living, burglary. Though frequently horrified by Raffles's actions, the conscience-stricken Bunny stands by him through all their adventures, firm to his promise, "When you want me, I'm your man!"

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"I'd tasted blood, and it was all over with me. Why should I work when I could steal? Why settle down to some humdrum uncongenial billet, when excitement, romance, danger and a decent living were all going begging together?"- A. J. Raffles, The Ides of March.

The Amateur Cracksman is the first collection of stories about A. J. Raffles, gentleman, cricketer, and thief. After stopping his old school friend, Bunny Manders, from a desperate attempt at suicide, Raffles introduces the unsuspecting Bunny to a new way of earning a living, burglary. Though frequently horrified by Raffles's actions, the conscience-stricken Bunny stands by him through all their adventures, firm to his promise, "When you want me, I'm your man!"

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This poem celebrates Christmas by exploring the mystery of Christ's mission on earth: his death, resurrection, and second coming as judge of all human souls. Sir Gawain is cast in the role of Everyman. At the feast of the New Year, an unarmed green giant rides his green horse into the banqueting hall of King Arthur and challenges any member of the assembled company to behead him with a huge axe and then to submit to the same treatment from his victim the next year. Gawain volunteers to prevent Arthur from accepting this challenge, fairly confident that the challenger will be unfit to return the blow. However, when the green knight rides out of the hall carrying his severed head, Gawain must wait a year under what amounts to a sentence of death. At the end of this period his quest for the green knight leads him first through perilous adventures comparable to the life-threatening dangers confronting all mortals in their earthly sojourn and then, when his travels are at an end, through a series of temptations that represent allegorically the spiritual challenges determining not the time of death but the fortunes of the soul after death. 

The spot where Gawain then meets his foe closely resembles a graveyard superintended by the green knight, now converted, in effect, from a victim into a judge, as Christ was murdered by mankind but survived to be our judge at the end of time. A couple early footnotes may help in appreciating two details in the conclusion of the tale: First, Catholics believe that to perform the sacrament of Confession while intending to commit another sin deprives the priest's absolution of effect. Second, it was generally believed, in the Middle Ages and even today, that evil spirits cannot cross running water. This belief appears in "Tam o’Shanter," "The Legend of Sleepy Hollow," and The Lord of the Rings.

Translated by Jessie Laidlay Weston.

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This poem celebrates Christmas by exploring the mystery of Christ's mission on earth: his death, resurrection, and second coming as judge of all human souls. Sir Gawain is cast in the role of Everyman. At the feast of the New Year, an unarmed green giant rides his green horse into the banqueting hall of King Arthur and challenges any member of the assembled company to behead him with a huge axe and then to submit to the same treatment from his victim the next year. Gawain volunteers to prevent Arthur from accepting this challenge, fairly confident that the challenger will be unfit to return the blow. However, when the green knight rides out of the hall carrying his severed head, Gawain must wait a year under what amounts to a sentence of death. At the end of this period his quest for the green knight leads him first through perilous adventures comparable to the life-threatening dangers confronting all mortals in their earthly sojourn and then, when his travels are at an end, through a series of temptations that represent allegorically the spiritual challenges determining not the time of death but the fortunes of the soul after death. 

The spot where Gawain then meets his foe closely resembles a graveyard superintended by the green knight, now converted, in effect, from a victim into a judge, as Christ was murdered by mankind but survived to be our judge at the end of time. A couple early footnotes may help in appreciating two details in the conclusion of the tale: First, Catholics believe that to perform the sacrament of Confession while intending to commit another sin deprives the priest's absolution of effect. Second, it was generally believed, in the Middle Ages and even today, that evil spirits cannot cross running water. This belief appears in "Tam o’Shanter," "The Legend of Sleepy Hollow," and The Lord of the Rings.

Translated by Jessie Laidlay Weston.

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These lesser known stories were penned by Conan Doyle during the period between killing off Sherlock Holmes in 1893 and reluctantly resurrecting him some ten years later. The swashbuckling, eponymous hero, Etienne Gerard, is one of Napoleon's gallant French Hussars, who considers himself the finest of them all. 

Through these "Boys Own Adventures", Conan Doyle pokes gentle fun at both the French and the English. This is the second volume containing eight adventures.

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These lesser known stories were penned by Conan Doyle during the period between killing off Sherlock Holmes in 1893 and reluctantly resurrecting him some ten years later. The swashbuckling, eponymous hero, Etienne Gerard, is one of Napoleon's gallant French Hussars, who considers himself the finest of them all. 

Through these "Boys Own Adventures", Conan Doyle pokes gentle fun at both the French and the English. This is the second volume containing eight adventures.

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These lesser known stories were penned by Conan Doyle during the period between killing off Sherlock Holmes in 1893 and reluctantly resurrecting him some ten years later. The swashbuckling, eponymous hero, Etienne Gerard, is one of Napoleon's gallant French Hussars, who considers himself the finest of them all. 

Through these "Boys Own Adventures", Conan Doyle pokes gentle fun at both the French and the English. This is the second volume containing eight adventures.

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These lesser known stories were penned by Conan Doyle during the period between killing off Sherlock Holmes in 1893 and reluctantly resurrecting him some ten years later. The swashbuckling, eponymous hero, Etienne Gerard, is one of Napoleon's gallant French Hussars, who considers himself the finest of them all. 

Through these "Boys Own Adventures", Conan Doyle pokes gentle fun at both the French and the English. This is the second volume containing eight adventures.

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These lesser known stories were penned by Conan Doyle during the period between killing off Sherlock Holmes in 1893 and reluctantly resurrecting him some ten years later. The swashbuckling, eponymous hero, Etienne Gerard, is one of Napoleon's gallant French Hussars, who considers himself the finest of them all. 

Through these "Boys Own Adventures", Conan Doyle pokes gentle fun at both the French and the English. This is the second volume containing eight adventures.

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Robert Bloch (1917–1994) was a prolific writer in many genres. As a young man he was encouraged by his mentor H. P. Lovecraft, and was a close friend of Stanley G. Weinbaum. Besides hundreds of short stories and novels he wrote a number of television and film scripts including several for the original Star Trek. 

In 1959 Bloch wrote the novel Psycho which Alfred Hitchcock adapted to film a year later. He received the Hugo Award, the World Fantasy Award, the Bram Stoker Award, and he is a past president of the Mystery Writers of America. Published in Amazing Stories in 1958, This Crowded Earth is a thriller set on an overpopulated Earth of the future.

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Robert Bloch (1917–1994) was a prolific writer in many genres. As a young man he was encouraged by his mentor H. P. Lovecraft, and was a close friend of Stanley G. Weinbaum. Besides hundreds of short stories and novels he wrote a number of television and film scripts including several for the original Star Trek. 

In 1959 Bloch wrote the novel Psycho which Alfred Hitchcock adapted to film a year later. He received the Hugo Award, the World Fantasy Award, the Bram Stoker Award, and he is a past president of the Mystery Writers of America. Published in Amazing Stories in 1958, This Crowded Earth is a thriller set on an overpopulated Earth of the future.

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Robert Bloch (1917–1994) was a prolific writer in many genres. As a young man he was encouraged by his mentor H. P. Lovecraft, and was a close friend of Stanley G. Weinbaum. Besides hundreds of short stories and novels he wrote a number of television and film scripts including several for the original Star Trek. 

In 1959 Bloch wrote the novel Psycho which Alfred Hitchcock adapted to film a year later. He received the Hugo Award, the World Fantasy Award, the Bram Stoker Award, and he is a past president of the Mystery Writers of America. Published in Amazing Stories in 1958, This Crowded Earth is a thriller set on an overpopulated Earth of the future.

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GOD, MACHINE--OR LISTENING POST FOR OUTSIDERS?

Horng sat opposite the tiny, fragile creature who held a microphone, its wires attached to an interpreting machine. He blinked his huge eyes slowly, his stiff mouth fumblingly forming words of a language his race had not used for thirty thousand years.

"Kor was ... is ... God ... Knowledge." He had tried to convey this to the small creatures who had invaded his world, but they did not heed. Their ill-equipped brains were trying futilely to comprehend the ancient race memory of his people.

Now they would attempt further to discover the forbidden directives of Kor. Horng remembered, somewhere far back in the fossil layers of his thoughts, a warning. They must be stopped! If he had to, he would stamp out these creatures who were called "humans." 

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GOD, MACHINE--OR LISTENING POST FOR OUTSIDERS?

Horng sat opposite the tiny, fragile creature who held a microphone, its wires attached to an interpreting machine. He blinked his huge eyes slowly, his stiff mouth fumblingly forming words of a language his race had not used for thirty thousand years.

"Kor was ... is ... God ... Knowledge." He had tried to convey this to the small creatures who had invaded his world, but they did not heed. Their ill-equipped brains were trying futilely to comprehend the ancient race memory of his people.

Now they would attempt further to discover the forbidden directives of Kor. Horng remembered, somewhere far back in the fossil layers of his thoughts, a warning. They must be stopped! If he had to, he would stamp out these creatures who were called "humans." 

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GOD, MACHINE--OR LISTENING POST FOR OUTSIDERS?

Horng sat opposite the tiny, fragile creature who held a microphone, its wires attached to an interpreting machine. He blinked his huge eyes slowly, his stiff mouth fumblingly forming words of a language his race had not used for thirty thousand years.

"Kor was ... is ... God ... Knowledge." He had tried to convey this to the small creatures who had invaded his world, but they did not heed. Their ill-equipped brains were trying futilely to comprehend the ancient race memory of his people.

Now they would attempt further to discover the forbidden directives of Kor. Horng remembered, somewhere far back in the fossil layers of his thoughts, a warning. They must be stopped! If he had to, he would stamp out these creatures who were called "humans." 

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"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. 

"Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)

Translated by Gilbert Murray.

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"Oedipus Rex" (Ancient Greek: Οἰδίπους Τύραννος, Oidipous Tyrannos), also known as "Oedipus the King" or "Oedipus the Tyrant," is an Athenian tragedy by Sophocles that was first performed about 429 BC (noted classicist Gilbert Murray, translator of this version of the play, rendered the title as "Oedipus, King of Thebes"). It was the second in order of Sophocles's composition of his three plays dealing with Oedipus. Thematically, however, it was the first in the trilogy's historical chronology, followed by Oedipus at Colonus and then Antigone. 

"Oedipus the King" tells the story of Oedipus, a man who becomes the king of Thebes, whilst in the process unwittingly fulfilling a prophecy that he would kill his father Laius and marry his mother Jocasta. The play is an example of classic tragedy, notably containing an emphasis upon how Oedipus's own faults contribute to his downfall (as opposed to making fate the sole cause). Over the centuries, "Oedipus Rex" has come to be regarded by many as the Greek tragedy par excellence. (Adapted from Wikipedia.)

Translated by Gilbert Murray.

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