Women wrote classics, too. And we’re here to celebrate them! We&#39;re spilling the tea on awesome plays by women that are *classics* as we fight for a gender-expansive canon. Timely, producible, excellent - these are plays you want to know. Each episode is dedicated to a different play and playwright. It&#39;s the podcast version of<a href="http://www.expandthecanon.com/" rel="nofollow"> Expand the Canon</a>.com but with more puns. Perfect for the theater makers, theater goers, and theater teachers among us who are jazzed about diversity in the classics. This is a podcast by Hedgepig Ensemble Theatre, a non-profit company in Brooklyn, NY. Support the Podcast and Expand the Canon at <a href="http://expandthecanon.com" rel="nofollow">expandthecanon.com</a>

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The first of our conversations with The Susan Glaspell Society! With Noelia Hernando Real, Marcia Noe, and Alex Roe, we dig into our ever-pertinent question: is this a classic? They share fascinating anecdotes of her life, key books in Glaspell studies, and what exactly makes something &#34;Glaspellian.&#34; You can find more information about the Glaspell Society at susanglaspell.org.

Glaspell as a Classic

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If you’re looking for a tragi-comedy where the lyric insight of Virginia Woolf meets the electric cruelty of Hedda Gabler… COME SEE IT THIS FALL! To celebrate Fiasco Theater&#39;s production of The Verge at The Public (starting Oct 27!), we&#39;re doing a whole season of Glaspell. While there are new episodes coming up about her life, her literary circle, scholarship on this play, what it&#39;s like to work on, and more –– we thought we&#39;d first re-introduce you through our initial episode on why The Verge is a Classic. *Previously released in 2024*If you’re looking for a tragi-comedy where the lyric insight of Virginia Woolf meets the electric cruelty of Hedda Gabler… consider this post-war portrait of a woman created and creating through destruction. Claire Archer attempts to transcend the constraints of modern life through the breeding of new plants, despite a literal Tom, Dick, and Harry trying to stop her. As the blossoming of her latest creation approaches, her sanity is called into question and tensions around her unique way of life explode. A piece that is by turns devastating philosophical portraiture, droll farce, and scathing feminist cry, The Verge comes together in a pressure cooker analysis of prescribed womanhood.Hosted by Emily Lyon and Kalina Ko.Edited by Daniel OpkaraMonologue performed by Gwen Kelso

Susan Glaspell's The Verge (Relaunch for 2026 Production!)

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This year, we released a book instead of a list! Still, our Research Team was hard at work. These episodes do a deeper dive on what it&#39;s like on the inside.Reader &amp; Research Team strongholds Jennifer Goff, Julia Moriarty, and James Hyett dig into what the heck dramaturgy even is, why we do it, and how it relates to Expand the Canon&#39;s mission.

What Exactly IS Dramaturgy?

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This year, we released a book instead of a list! Still, our Research Team was hard at work. These episodes do a deeper dive on what it&#39;s like on the inside.Though they&#39;ve been veterans of our Reading Committee, actor Aziza Gharib, playwright Regina Robbins, and director-dramaturg Kate Pitt were new to our Research Team this year! They chat about the difference between those processes, what it&#39;s like to go further into the process, and what discoveries awaited them.

Joining the Research Team

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This year, we released a book instead of a list! Still, our Research Team was hard at work. These episodes do a deeper dive on what it&#39;s like on the inside. Actors Rachel Schmeling and Desirée Baxter have been strong members of Expand the Canon –– back from when they were both members of Hedgepig Ensemble. Together, they talk about the shift in brand and vision, how the mission is still connected, and what it&#39;s been like to expand their experience of Hedgepig.

From Hedgepig to Expand the Canon

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If you are looking for a piercing drama about family, poverty, and access to healthcare redolent of “August: Osage County”… consider this raw, tender one-act. In Georgia Douglas Johnson’s Plumes, mother Charity grapples with whether she can afford medical treatment for her ailing daughter. Unsure if the treatment will be successful, Charity must decide whether it would be better to honor her daughter’s life by way of an extravagant funeral instead. This play is a moving exploration of grace and dignity under the obscene circumstances of poverty and inadequate access to healthcare.If you’re looking for an elegant, subtle, and subversive blend of heart and politics… Alice Childress works her magic again with Florence. Set in a train station in the Jim Crow south, Mama waits to board to New York City, planning to bring her daughter Florence home from trying to “make it” as a stage actress. A jaded white actress awaits the same train, and though first seeming to help, it becomes clear she thinks nothing of Florence’s prospects –– and Mama has to decide if she&#39;ll support or deny her daughter&#39;s dreams. This sinuous story holds the tension of rebellion and heartbreak, painting a vivid picture of the so-called white northern ally erasure of Black joy, worth, and humanity. Hosted by Triza Cox and Emily Lyon.

Plumes & Florence

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If you’re looking for a cousin of commedia with a razz on dads… Nannuccio &amp; His Fifteen Stepdaughters by Sister Annalena Odaldi should do the trick. This short and bittersweet farce tells the tale of Nannuccio Di Pierone, a widower down on his luck, looking to remarry using the goods and riches his deceased wife left in her will. The only problem is, she actually left everything for her fifteen daughters’ dowries, and not to the avaricious, self-aggrandizing Nannuccio. What will happen if the law gets involved? This play is a wise-cracking, smart, almost tragicomedy about greed, inheritance, and the absurdity of male ego.If you’re looking for a satirical comedy where every character lives life in the panic lane and practices the opposite of what they preach… consider Catherine the Great’s Oh, These Times! A maid attempts to help her naive lady marry the sweet Mr. Milksop, while dodging her grandmother’s fears of lower class social climbers. From catty gossips to sheltered virgins, no one seems happy with their station –– and their schemes and complaints pile up. Preempting Chekhov’s darkly yearning comedic sense by 100 years, Oh, These Times! is a searing reflection of our modern day social anxieties and the farces we put ourselves through to soothe them. Hosted by Triza Cox and Gagarin

Nannuccio & his Fifteen Stepdaughters & Oh, These Times!

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If you’re looking for a one-person piece that grapples with the legacy of women writers and the artifice of gender… consider this sharp short by Wu Zao. In A Reflection in Disguise, a writer grapples with her inner idealized artistic self and the boxes society has placed her into. She poses before a portrait of herself cross-dressed as a male scholar and sings to the portrait about her frustrations as a woman of talent. Can she ever truly reconcile the two selves and win the acclaim she deserves? Through lush Chinese poetry, this monologue yields searing insight into the artifice of gender and the psyche of women in literature in the 19th Century.If you’re looking for a play that leverages the existentialism of Beckett but ratchets up the stakes through erotic powerplay… you’ll love Maria Irene Fornés’ Tango Palace. Isidore, a genderfluid bon vivant, has trapped their lover, the earnest and noble Leopold, in a room. The space becomes the pair’s entire universe and the stage on which they dance, dissect, and detonate their desires. The dangerous co-dependence of their erotic relationship spills over as they tango, driving them towards death in this searing and sensual examination of masculinity and destructive desire. Hosted by Gagarin and Kalina Ko.

A Reflection in Disguise & Tango Palace

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If you’re looking for a satirical critique of the blinding effects of media and consumerism… look no further than Dolores Prida’s Screens. In Prida’s masterful work, three telenovela stars reenact the highlights of their career while trapped in their house. As an ominous apocalypse looms outside, they continue to restage these scenes. The lines between life and art start to blur to disastrous outcomes. Blending sharp political insight with an accessible comedic edge and wrapped together in a love triangle, this play offers a powerful critique of modern identity and environmental disaster in the face of mass media’s demands.If you’re looking for a wartime story about the choices women must make when fighting for their rights… Soldadera is the play for you. Tasked with safeguarding a stockpile of weapons, the play follows a group of women soldiers trying to protect their own sense of honor – and their lives. An expansive and yet intimate story of gendered oppression, Niggli’s claustrophobic drama traces the parallels between global conflicts and our personal lives. In our ever-tense political climate, this exploration of revolution and the ways political ideals play out at home is as relevant today as it was in 1936.Hosted by Skye Pagon and Emily Lyon.

Screens & Soldadera

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If you’re looking for a snappy satire of the sexist dating scene… consider this tight one-act from literary luminary Germaine de Staël. Although he’s always lived in Germany, Monsieur de la Morlière glorifies all things from France as the pinnacle of culture –– and therefore secured a noble French suitor for his daughter, Sophie. However, our clever heroine is ready with a deliciously silly scheme to reveal the pompous French Count for the fool he is. With both frothy fun and physical comedy, this short play packs a lasting punch with its sharp commentary on the hypocrisy in relationships cordial, familial, and romantic.If you’re looking for a verse romcom with snarky sidekicks and a lover’s quarrel… look no further than Marie-Anne Barbier’s The Falcon. Federic has spent every penny on impressing Axiane – but she has remained unsure of his true affection. Their friends push and pull for them to see reason, yet fear and flirtation drive them to extremes. This quippy period piece asks, is love worth self-sacrifice? How much? And can we ever truly trust a lover’s meaning and intentions? Beatrice and Benedick but with Bridgerton vibes, this charming cat-and-mouse game of logic and love reminds its audience that personal insecurity is often our deepest romantic challenge. Hosted by Triza Cox and Emily Lyon

The Mannequin & The Falcon

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*drumroll* We are now, officially, Expand the Canon – all day every day. Join some of our fabulous team to toast to this long-time-coming shift. We discuss the change, what all we do here at Expand the Canon, and what we&#39;re looking forward to for our next chapter.Mission:Expand the Canon champions women and gender-expansive playwrights whose works should have always been considered classics. For over a decade, our partnerships with theaters, educators, and advocates have established a legacy of storytelling with gender equity at its core. By curating a collection of excellent historic plays, we’re building a more inclusive and accurate theatrical canon. Featuring: Alicia Carroll, Marketing Associate; Emily Lyon, Artistic Director; Maraika Lumholdt, Managing Associate; Rhiannon Ling, Social Media Coordinator; Desirée Baxter, Tia Cassmira, Kate Pitt, Natalie Kane, Research Team.

It's Official! We're Rebranding!

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This month&#39;s two plays: The Guitarrón by Lynne Alvarez &amp; The Girls from the Five and Ten (Les filles du 5-10-15) by Abla FarhoudIf you’re looking for the hot queer drama and dreamy magical realism of Angels in America set against the beaches of Veracruz… look no further than The Guitarrón by Lynne Alvarez. During a cataclysmic fishing drought, six members of the local village fight to find their way out. Underscored by a mysterious cellist with a mesmerizing instrument, in this play each member of the community tries to save the ones they love while navigating the transactional nature of their own relationships. A story about the drought in our souls when the cruelty of reality keeps us from the seas of our dreams, The Guitarrón would be a fabulous addition to any season.If you’re looking for the darkly vulnerable drama of Suburbia told through the lens of two sisters… The Girls from the Five and Ten gets to the heart of what it means to be overlooked as an immigrant in a new country. Trapped in their father’s variety shop with never-ending work and rude customers, Sisters Amira and Kaokab sacrifice their personal lives in the hopes of someday selling the store and returning to Lebanon. But as their escape seems further and further away each day, the two must decide whether their dream of going home is actually worth the cost. Defiance, sisterhood, rebellion, and oppression are all at the forefront of Farhoud’s heartbreakingly tender sister story.Hosted by Skye Pagon and Kalina Ko

The Guitarrón & The Girls from the Five and Ten (Les filles du 5-10-15)

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This month&#39;s two shorter plays: The Inheritance by Kim Ja-Rim 김자림 and Rain of Ice by Hasegawa ShigureIf you’re looking for the character-driven naturalism of Strindberg through the lens of intersectional poverty… consider this one-act drama from the mother of Japanese realism. In her final hours, the terminally ill Tamayo wrestles with delusions of the past as well as anxieties of the present. A former sex worker, she now contends with the role transactionality has played (or not played) in her relationships, interrogating her friends’ true loyalties and fearing for her own daughter’s naivete. Through heartfelt prose and raw, naturalistic dialogue, Hasegawa Shigure digs into the grim realities facing impoverished women, telling an intersectional story of depth and intimacy.If you’re looking for the character-driven naturalism of Strindberg through the lens of intersectional poverty… consider Rain of Ice from the mother of Japanese realism. In her final hours, the terminally ill Tamayo wrestles with delusions of the past as well as anxieties of the present. A former sex worker, she now contends with the role transactionality has played (or not played) in her relationships, interrogating her friends’ true loyalties and fearing for her own daughter’s naivete. Through heartfelt prose and raw, naturalistic dialogue, Hasegawa Shigure digs into the grim realities facing impoverished women, telling an intersectional story of depth and intimacy.Hosted by Kalina Ko and Gagarin

The Inheritance & Rain of Ice

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This month&#39;s two shorter plays: Pleasure by Rachilde and Three Women by Sylvia Plath!If you’re looking for a play that reveals how the pursuit of sensuality can both liberate and ensnare… then Rachilde’s Pleasure is the two-hander of your dreams. An intimate, delicate, and emotionally charged conversation between two young lovers, Pleasure offers feminist undertones with a dangerous and erotic edge. The play’s themes of sexual politics, youthful desire, and the consequences of indulgence are as timely today as they were in its origins in the Belle Époque. Fans of Sarah Kane, Sam Shepard, and Edith Wharton alike will delight in its dark twists and lush poetry, making this a standout choice for a contemporary or a classical season.If you’re looking for an achingly lyrical play probing the complex beauty and pain of pregnancy… consider this dramatic poem that brings Sylvia Plath’s raw emotionality to the stage. Interweaving three contrasting perspectives, this piece wrestles with childbirth, loss, and motherhood as perceived by a trio of women. One welcomes a wished-for and beloved child; another comes to terms with a miscarriage; the third gives her child up for adoption following the trauma of sexual assault. The resulting chorus paints a sharp and unflinching portrait of having, or losing, a child. Three Women is a daring piece to engage a community in conversation around the choices and agency of reproductive rights arcing towards glimmers of hope and healing.Hosted by Skye Pagon and Emily Lyon

Pleasure & Three Women

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We&#39;re back to expanding the canon! The 5 curators for our 5th List are here to dish about what makes this year&#39;s list of plays special. Not only are they plays of a different ilk, but we have WAY MORE this time for you to dig into! Dive in with Emily Lyon, Triza Cox, Skye Pagon, Kalina Ko, and Gagarin for another year of plays that are CLASSICS.

Season 5 - Shorter & One Act Plays

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If you’re looking for an ensemble-lead choreopoem that explores the Black experience in the entertainment industry… consider Spell #7 by celebrated playwright Ntozake Shange. Set in the late 70s in St. Louis, Missouri, the play welcomes us into a world not too far from our own, forcing us to reckon with the realities of the “isms” in creative spaces. The play takes us through the lives of 9 characters who are fighting to discover themselves as artists in a society that sees them as one dimensional after-thoughts. Using a mixture of lush poetry and stylized choreography (and guided by a literal magician), the ensemble explores the effects of blackface and violence against Black women in the entertainment industry and beyond. Hosted by Shannon Corenthin and Skye PagonMonologue by Terra Chaney

Spell #7 by Ntozake Shange

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If you’re looking to explore the transactional nature of relationships when status is on the line… consider this tender-hearted hilarious romp complete with gossip, political intrigue, and romantic complications. Social prestige and customs maintain the delicate ecosystem that is the royal court, but when Moncade, the King’s sensitive and widely beloved favorite, is cast out, chaos ensues. As Moncade reckons with his status, the courtiers around him scheme to advance their own agendas using witty prose and undeniably shady tactics. With themes of inner beauty, integrity, and finding meaning within the ordinary, Le Favori calls into question our social ties and asks us what it means to truly value friendship. Hosted by Skye Pagon and Gagarin.Scene by Dorothea Gloria and Samanthia Nixon.Dramaturgy by Sierra Rosetta

Le Favori (The Favorite) by Marie-Catherine Desjardins

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If you’re looking for a lush, poetic drama with a powerhouse queer heroine and an intersectional view of indigeneity… consider this moving piece from an eminent Chicana dramatist. Josefa is a pillar of her rural community - unflappable, benevolent, formidable, respected. Why then is there a fresh bloodstain on her floor? As the rest of the village women gather for a ritual to find husbands, Josefa is trapped in her house, frantically trying to prevent her secret from being revealed. This play is a harrowing, verdant exploration of the creation and keeping of a queer utopia, and what it costs to protect it. Capturing the poetry and cultural interrogation of Tennessee Williams with a distinctly feminist viewpoint, Day of the Swallows examines the secrets we’re forced to keep and the lengths we go to hide them. Hosted by Gagarin and Skye Pagon.Dramaturgy by James La Bella.

Day of the Swallows by Estela Portillo-Trambley

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If you’re looking for a whirling political drama centering a mother’s feminist awakening… consider this dreamlike exploration of familial ties and civic responsibility. Nearly two years after the killing of her son, Sujata continues to struggle with his involvement in the uprising that resulted in his death. She embarks on a journey to understand her son and in doing so comes to recognize her own oppression as a mother, wife, and woman. Reminiscent of Brecht’s The Mother, this powerful and deeply human play examines grief, love, and the cost of revolution. Hosted by Gagarin and Kalina KoMonologue by Shubhra Prakash

Mother of 1084 by Mahasweta Devi

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If you’re looking for an irreverent class comedy featuring a gritty female lead… consider this romp of mistaken identities by the 18th century master of dialogue, Hannah Brand. The willful and mischievous Adelinda is set to marry the wealthy Count D’Olstain – much to her weary parents’ relief. The only problem – Adelinda is already secretly married to a lowly servant! Schemes and mistaken identities abound, lost children are returned, and some snooty parents get a rightful scolding in this comical and quippy caper about the lengths we go to for a happily ever after.  Hosted by Emily Lyon and Kalina Ko.Edited by Steven BaekScene Performed by Madeline Egan Addis and Desireé Baxter

Adelinda by Hannah Brand

Historic Women Playwrights & Their Legacies

Women wrote classics, too. And we’re here to celebrate them! We're spilling the tea on awesome plays by women that are *classics* as we fight for a gender-expansive canon. Timely, producible, excellent - these are plays you want to know. Each episode is dedicated to a different play and playwright. It's the podcast version of Expand the Canon ( http://www.expandthecanon.com/ ).com but with more puns. Perfect for the theater makers, theater goers, and theater teachers among us who are jazzed about diversity in the classics. This is a podcast by Hedgepig Ensemble Theatre, a non-profit company in Brooklyn, NY. Support the Podcast and Expand the Canon at expandthecanon.com ( http://expandthecanon.com )