"The Watched Pot" is a three-act comedic play written by Saki in collaboration with Charles Maude. It centers around the inhabitants of Briony manor either scheming or enacting the scheme of marrying the only inheritor of the estate, Trevor Bavvel, before his tyrant of a mother, Hortensia Bavvel, becomes aware of the covert usurpment of her power. The play humorously explores the pressure placed on everyone in the manor as various potential brides are paraded before him, while Trevor remains indifferent and hesitant. While, "the watched pot never boils," lighting a fire under these societal expectations of Edwardian society makes the resulting action of this play as dynamic as a mountain of gunpowder.

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*This Season's Album Art by Illuvisual*

Hector Hugh Munro (18 December 1870 – 14 November 1916), popularly known by his pen name Saki and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirize Edwardian society and culture. He is considered by English teachers and scholars a master of the short story and is often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll and Rudyard Kipling, Munro himself influenced A. A. Milne, Noël Coward and P. G. Wodehouse.

Besides his short stories (which were first published in newspapers, as was customary at the time, and then collected into several volumes), Munro wrote a full-length play, The Watched Pot, in collaboration with Charles Maude; two one-act plays; a historical study, The Rise of the Russian Empire (the only book published under his own name); a short novel, The Unbearable Bassington; the episodic The Westminster Alice (a parliamentary parody of Alice in Wonderland); and When William Came, subtitled A Story of London Under the Hohenzollerns, a fantasy about a future German invasion and occupation of Britain.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

When your faith is destroyed, to what do you turn? Reason? Absolution? Or do you continue on believing? These are the clashing personalities of the three men of "The Resurrection," watching guard for the disciples after Jesus' crucifixion, all struggling with their preconceived notions of the world after his death, and are precarious, yet ready, as to what to do next.

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*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

Can man be satisfied in Heaven? If Heaven is brought down to earth so freely, will man reject it for want of freedom? These are the themes put forward in "Calvary" through the mouths of Lazarus and Judas, the man who could not be beholden to death, and the man who would not be beholden to God. ... And yet, their desires laid upon cross are all too human... all too understandable.

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*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

This is the beginning of the Myth of Cuchulainn as set out by W.B. Yeats.

There exists a fountain in Scotland that is said to give a person eternal life, but only bubbles up once every few years. However, it is watched over by the Guardian who resembles a Grey Hawk, which in Irish Tradition is a symbol for death. In this play, we witness an old man who has waited to drink from it, but has always been distracted by the stone guardian in one way or another. Will this new man, Cuchulainn, who comes for the same be able to withstand her distractions and be able to share the fountain of life between him and the old man?

"The Green Helmet," has multiple similarities the "The Green Knight" from the mythology of King Arthur, but set in an almost farcical manner. When Cuchulainn returns from Scotland, he finds his allies have played a game of whipping off a man's head... only to find out that he is coming back to claim theirs. The mysterious man leaves them with his helmet, which seems to magically induce jealousy between everyone around Cuchulainn, including his friends, their servants, and eventually all of their wives, all fighting about who is the best among them so as to not be the one to forfeit their life. The debt must be paid... but the question is, by whom?

As a collection of Tennyson's early works, "Juvenilia" finds itself focused on many different forms of love, desire, and death expressed in over 40 different poems, and includes some of his most notable poems.

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*This Season's Album Art by Illuvisual*

Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was an English poet.

He was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

As a collection of Tennyson's early works, "Juvenilia" finds itself focused on many different forms of love, desire, and death expressed in over 40 different poems, and includes some of his most notable poems.

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*This Season's Album Art by Illuvisual*

Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was an English poet.

He was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

As a collection of Tennyson's early works, "Juvenilia" finds itself focused on many different aspects of love, desire, and death expressed in over 40 different poems, and includes some of his most notable poems such as "Claribel" and "Marina".

Follow me on other platforms:

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https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

Alfred Tennyson, 1st Baron Tennyson FRS (6 August 1809 – 6 October 1892) was an English poet.

He was Poet Laureate of the United Kingdom during much of Queen Victoria's reign. In 1829 he was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, Poems, Chiefly Lyrical, in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his poems ultimately proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

This is the climax of the Myth of Cuchulainn as set out by W.B. Yeats.

This play is juxtaposed between the frivolities and passionate natures of man with the ritual and order of its systems, and how one can not be beholden to both and still treat each side with the same worthiness upon the crossing of that threshold. The ideal of duty can drive a once powerful and spirited fighter to the ruin of himself and, more importantly, his legacy.

"On Baile's Strand," is one of the best testaments to W.B. Yeats' understanding of human nature and larger than life pathos.

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*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

This is the climax of the Myth of Cuchulainn as set out by W.B. Yeats.

This play is juxtaposed between the frivolities and passionate natures of man with the ritual and order of its systems, and how one can not be beholden to both and still treat each side with the same worthiness upon the crossing of that threshold. The ideal of duty can drive a once powerful and spirited fighter to the ruin of himself and, more importantly, his legacy.

"On Baile's Strand," is one of the best testaments to W.B. Yeats' understanding of human nature and larger than life pathos.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

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https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

This is the inevitable conclusion of the Myth of Cuchulainn as set out by W.B. Yeats.

"The Only Jealousy of Emer" is a story of self sacrifice and humility brought about through humiliation and debauchery. And yet, through all of that, each action taken by the characters in done out of love. If the other portions of Yeats' Myth of Cuchulainn were about fealty, this play is about true devotion, even unto giving up that precious item at the bottom of Pandora's box.

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Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

This is the inevitable conclusion of the Myth of Cuchulainn as set out by W.B. Yeats.

As the title suggests, "The Death of Cuchulainn" is about as mythic and yet as human as the titular character. A man worn down with time, finally in acceptance of his fate. A fate still worth telling and felt in the Irish people today.

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*This Season's Album Art by Illuvisual*

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with John Millington Synge and Lady Gregory, he founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.

His earliest volume of verse was published in 1889, and its slow-paced, modernist and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood. From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"Mrs. Warren's Profession" is one of the greater testaments to George Bernard Shaw's love of controversy and getting at the heart of issues plaguing man-kind, so much so that it was banned from being performed by the Lord Chamberlain for more than 30 years, ironically further proving its critique of Victorian Society. "Mrs. Warren's Profession" is a story of compromise, and how that compromise develops into corruption, subtly changing the life of everyone involved (directly or indirectly) in an ever excusable, morally justified manner. And yet, through Mr. Shaw's effervescent wit, the play is never too bogged down by its subject matter, and has such an unmistakable gaiety about it all that it's hard not to laugh at the absurdity of society's overbearing nature.

Follow me on other platforms:

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Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Born in Dublin, Shaw moved to London in 1876; he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma, and Caesar and Cleopatra.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"Mrs. Warren's Profession" is one of the greater testaments to George Bernard Shaw's love of controversy and getting at the heart of issues plaguing man-kind, so much so that it was banned from being performed by the Lord Chamberlain for more than 30 years, ironically further proving its critique of Victorian Society. "Mrs. Warren's Profession" is a story of compromise, and how that compromise develops into corruption, subtly changing the life of everyone involved (directly or indirectly) in an ever excusable, morally justified manner. And yet, through Mr. Shaw's effervescent wit, the play is never too bogged down by its subject matter, and has such an unmistakable gaiety about it all that it's hard not to laugh at the absurdity of society's overbearing nature.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

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https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Born in Dublin, Shaw moved to London in 1876; he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma, and Caesar and Cleopatra.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"Mrs. Warren's Profession" is one of the greater testaments to George Bernard Shaw's love of controversy and getting at the heart of issues plaguing man-kind, so much so that it was banned from being performed by the Lord Chamberlain for more than 30 years, ironically further proving its critique of Victorian Society. "Mrs. Warren's Profession" is a story of compromise, and how that compromise develops into corruption, subtly changing the life of everyone involved (directly or indirectly) in an ever excusable, morally justified manner. And yet, through Mr. Shaw's effervescent wit, the play is never too bogged down by its subject matter, and has such an unmistakable gaiety about it all that it's hard not to laugh at the absurdity of society's overbearing nature.

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Born in Dublin, Shaw moved to London in 1876; he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma, and Caesar and Cleopatra.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"Mrs. Warren's Profession" is one of the greater testaments to George Bernard Shaw's love of controversy and getting at the heart of issues plaguing man-kind, so much so that it was banned from being performed by the Lord Chamberlain for more than 30 years, ironically further proving its critique of Victorian Society. "Mrs. Warren's Profession" is a story of compromise, and how that compromise develops into corruption, subtly changing the life of everyone involved (directly or indirectly) in an ever excusable, morally justified manner. And yet, through Mr. Shaw's effervescent wit, the play is never too bogged down by its subject matter, and has such an unmistakable gaiety about it all that it's hard not to laugh at the absurdity of society's overbearing nature.

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George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as Man and Superman (1902), Pygmalion (1913) and Saint Joan (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature.

Born in Dublin, Shaw moved to London in 1876; he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years before his first public success, Arms and the Man in 1894. Influenced by Henrik Ibsen, he sought to introduce a new realism into English-language drama, using his plays as vehicles to disseminate his political, social and religious ideas. By the early twentieth century his reputation as a dramatist was secured with a series of critical and popular successes that included Major Barbara, The Doctor's Dilemma, and Caesar and Cleopatra.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"Lady Windermere's Fan" is one of Oscar Wilde's first and radiantly indelible marks on the stage. The first of its kind which would be later known as his "comedy of manners". The story follows a young Lady Windermere who, upon hearing the local gossip and gathering of incomplete evidence, begins to question her husband's fidelity. All of this is brought to a head when he, and he alone invites this strange woman into their house. At her birthday party no less! The scandal is palpable. Indignant, she decides to run away to a man who offered her solace, only for that scandalous woman to come and "trick" her out of it, like a mother consoling a child. But the question still remains, what is this woman's relationship to Lady Windermere's husband? And just who is she to Lady Windermere as well?

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Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

Oscar Fingal O'Fflahertie Wills Wilde (1854–1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts in "one of the first celebrity trials", imprisonment, and early death from meningitis at the age of 46.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"Lady Windermere's Fan" is one of Oscar Wilde's first and radiantly indelible marks on the stage. The first of its kind which would be later known as his "comedy of manners". The story follows a young Lady Windermere who, upon hearing the local gossip and gathering of incomplete evidence, begins to question her husband's fidelity. All of this is brought to a head when he, and he alone invites this strange woman into their house. At her birthday party no less! The scandal is palpable. Indignant, she decides to run away to a man who offered her solace, only for that scandalous woman to come and "trick" her out of it, like a mother consoling a child. But the question still remains, what is this woman's relationship to Lady Windermere's husband? And just who is she to Lady Windermere as well?

Follow me on other platforms:

https://bemuse.bandcamp.com

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https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

Oscar Fingal O'Fflahertie Wills Wilde (1854–1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts in "one of the first celebrity trials", imprisonment, and early death from meningitis at the age of 46.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"Lady Windermere's Fan" is one of Oscar Wilde's first and radiantly indelible marks on the stage. The first of its kind which would be later known as his "comedy of manners". The story follows a young Lady Windermere who, upon hearing the local gossip and gathering of incomplete evidence, begins to question her husband's fidelity. All of this is brought to a head when he, and he alone invites this strange woman into their house. At her birthday party no less! The scandal is palpable. Indignant, she decides to run away to a man who offered her solace, only for that scandalous woman to come and "trick" her out of it, like a mother consoling a child. But the question still remains, what is this woman's relationship to Lady Windermere's husband? And just who is she to Lady Windermere as well?

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

Oscar Fingal O'Fflahertie Wills Wilde (1854–1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts in "one of the first celebrity trials", imprisonment, and early death from meningitis at the age of 46.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*

"Lady Windermere's Fan" is one of Oscar Wilde's first and radiantly indelible marks on the stage. The first of its kind which would be later known as his "comedy of manners". The story follows a young Lady Windermere who, upon hearing the local gossip and gathering of incomplete evidence, begins to question her husband's fidelity. All of this is brought to a head when he, and he alone invites this strange woman into their house. At her birthday party no less! The scandal is palpable. Indignant, she decides to run away to a man who offered her solace, only for that scandalous woman to come and "trick" her out of it, like a mother consoling a child. But the question still remains, what is this woman's relationship to Lady Windermere's husband? And just who is she to Lady Windermere as well?

Follow me on other platforms:

https://bemuse.bandcamp.com

https://www.instagram.com/talentunlimited1/?hl=en

https://open.spotify.com/artist/0wiNjFbd6rluEHZF4Qffcv

https://www.facebook.com/profile.php?id=100070481824821&locale=hi_IN

https://www.patreon.com/bemuse

Website: https://bemusearts.com

*This Season's Album Art by Illuvisual*

Oscar Fingal O'Fflahertie Wills Wilde (1854–1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel The Picture of Dorian Gray, and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts in "one of the first celebrity trials", imprisonment, and early death from meningitis at the age of 46.

*Any views/ideas expressed in these plays are not my own, and I do not believe in the censoring of anything controversial or problematic that the playwright/poet/author has written which will impact the way in which the story is told. The integrity of these works is much more important to me than any triggering content, and therefore I would ask that you have the same maturity and mental framework to listen to these pieces and appreciate them in their proper historical context.*