Sinclair Lewis’ George F. Babbitt is a complicated and conflicted character. When you think you have his next move figured out he surprises you. As you begin to like him, he does something to evoke the “what a rat” response. 

At a pudgy balding forty six he looks at his life, wife, family and business. He sees himself as a pretty successful business man, but when Tanis, the lonely widow, has a leaky roof, he sees an opportunity for perhaps a more fulfilling relationship then he has at home. Add to Tanis a foray into radical politics, and we are about to witness an emotional and financial train wreck with Babbitt at the throttle.

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Sinclair Lewis’ George F. Babbitt is a complicated and conflicted character. When you think you have his next move figured out he surprises you. As you begin to like him, he does something to evoke the “what a rat” response. 

At a pudgy balding forty six he looks at his life, wife, family and business. He sees himself as a pretty successful business man, but when Tanis, the lonely widow, has a leaky roof, he sees an opportunity for perhaps a more fulfilling relationship then he has at home. Add to Tanis a foray into radical politics, and we are about to witness an emotional and financial train wreck with Babbitt at the throttle.

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Sinclair Lewis’ George F. Babbitt is a complicated and conflicted character. When you think you have his next move figured out he surprises you. As you begin to like him, he does something to evoke the “what a rat” response. 

At a pudgy balding forty six he looks at his life, wife, family and business. He sees himself as a pretty successful business man, but when Tanis, the lonely widow, has a leaky roof, he sees an opportunity for perhaps a more fulfilling relationship then he has at home. Add to Tanis a foray into radical politics, and we are about to witness an emotional and financial train wreck with Babbitt at the throttle.

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Sinclair Lewis’ George F. Babbitt is a complicated and conflicted character. When you think you have his next move figured out he surprises you. As you begin to like him, he does something to evoke the “what a rat” response. 

At a pudgy balding forty six he looks at his life, wife, family and business. He sees himself as a pretty successful business man, but when Tanis, the lonely widow, has a leaky roof, he sees an opportunity for perhaps a more fulfilling relationship then he has at home. Add to Tanis a foray into radical politics, and we are about to witness an emotional and financial train wreck with Babbitt at the throttle.

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Sinclair Lewis’ George F. Babbitt is a complicated and conflicted character. When you think you have his next move figured out he surprises you. As you begin to like him, he does something to evoke the “what a rat” response. 

At a pudgy balding forty six he looks at his life, wife, family and business. He sees himself as a pretty successful business man, but when Tanis, the lonely widow, has a leaky roof, he sees an opportunity for perhaps a more fulfilling relationship then he has at home. Add to Tanis a foray into radical politics, and we are about to witness an emotional and financial train wreck with Babbitt at the throttle.

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Sinclair Lewis’ George F. Babbitt is a complicated and conflicted character. When you think you have his next move figured out he surprises you. As you begin to like him, he does something to evoke the “what a rat” response. 

At a pudgy balding forty six he looks at his life, wife, family and business. He sees himself as a pretty successful business man, but when Tanis, the lonely widow, has a leaky roof, he sees an opportunity for perhaps a more fulfilling relationship then he has at home. Add to Tanis a foray into radical politics, and we are about to witness an emotional and financial train wreck with Babbitt at the throttle.

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Sinclair Lewis’ George F. Babbitt is a complicated and conflicted character. When you think you have his next move figured out he surprises you. As you begin to like him, he does something to evoke the “what a rat” response. 

At a pudgy balding forty six he looks at his life, wife, family and business. He sees himself as a pretty successful business man, but when Tanis, the lonely widow, has a leaky roof, he sees an opportunity for perhaps a more fulfilling relationship then he has at home. Add to Tanis a foray into radical politics, and we are about to witness an emotional and financial train wreck with Babbitt at the throttle.

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"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

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"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

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Privacy & Opt-Out: https://redcircle.com/privacy

"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

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Privacy & Opt-Out: https://redcircle.com/privacy

"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

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Privacy & Opt-Out: https://redcircle.com/privacy

"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

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Privacy & Opt-Out: https://redcircle.com/privacy

"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

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Privacy & Opt-Out: https://redcircle.com/privacy

"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

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Privacy & Opt-Out: https://redcircle.com/privacy

"Swann's Way" is the first of the seven parts of Marcel Proust's great autobiographical novel "In Search of Lost Time." From the very first page the reader is drawn into the many facets of memory, memory as prompted by all the human senses. "Swann's Way"(Du côté de chez Swann, sometimes translated as The Way by Swann's) (1913) was rejected by a number of publishers, including Fasquelle, Ollendorff, and the Nouvelle Revue Française (NRF). André Gide was famously given the manuscript to read to advise NRF on publication, and leafing through the seemingly endless collection of memories and philosophizing or melancholic episodes, came across a few minor syntactic errors, which made him decide to turn the work down in his audit. 

Proust eventually arranged with the publisher Grasset to pay the cost of publication himself. When published it was advertised as the first of a three-volume novel (Bouillaguet and Rogers, 316-7). Du côté de chez Swann is divided into four parts: "Combray I" (sometimes referred to in English as the "Overture"), "Combray II," "Un Amour de Swann," and "Noms de pays: le nom." ('Names of places: the name'). A third-person novella within Du côté de chez Swann, "Un Amour de Swann" is sometimes published as a volume by itself. 

As it forms the self-contained story of Charles Swann's love affair with Odette de Crécy and is relatively short, it is generally considered a good introduction to the work and is often a set text in French schools. "Combray I" is also similarly excerpted; it ends with the famous madeleine cake episode, introducing the theme of involuntary memory. In early 1914, André Gide, who had been involved in NRF's rejection of the book, wrote to Proust to apologize and to offer congratulations on the novel. "For several days I have been unable to put your book down.... 

The rejection of this book will remain the most serious mistake ever made by the NRF and, since I bear the shame of being very much responsible for it, one of the most stinging and remorseful regrets of my life." (Adapted from Wikipedia.)

Translated by C. K. Scott-Moncrieff.

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In this insightful novel, P. G. Wodehouse, as is his invariable custom, delves deep into the souls of his characters to lay bare many aspects of the human condition including the emotional, (“A snail crossed her path. She did not tread on it, for she had a kind heart, but she gave it a look. It was a look which, had it reached John, at whom it was really directed, would have scorched him”), the intellectual, (“Those just-as-good imitation heads never pay in the long run. What you ought to do is sell yours for what it’ll fetch and get a new one. And next time,” said Chimp, “make it a prettier one.”) and the theological (“On that last awful day… do you know what’ll ‘appen? The Lord God Almighty will say, angry-like, ‘Oo’s responsible for all these corpses I see laying around ‘ere?’ and E’ll look at you sort of sharp , and you’ll have to rise up and say ‘If I’d of done as Sergeant Major Flannery repeatedly told me…there wouldn’t have been none of these poor murdered blokes.’ “).

This book introduces Hugo Carmody and Ronnie Fish, who later appeared in two Blandings Castle novels. Master criminals Dolly and Soapy Molloy and Chimp Twist make a return appearance in this story, after their debut in Sam In The Suburbs (Sam The Sudden in the UK). The action mainly takes place in and near the sleepy village of Rudge-in-the-Vale, with an interlude in London.

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In this insightful novel, P. G. Wodehouse, as is his invariable custom, delves deep into the souls of his characters to lay bare many aspects of the human condition including the emotional, (“A snail crossed her path. She did not tread on it, for she had a kind heart, but she gave it a look. It was a look which, had it reached John, at whom it was really directed, would have scorched him”), the intellectual, (“Those just-as-good imitation heads never pay in the long run. What you ought to do is sell yours for what it’ll fetch and get a new one. And next time,” said Chimp, “make it a prettier one.”) and the theological (“On that last awful day… do you know what’ll ‘appen? The Lord God Almighty will say, angry-like, ‘Oo’s responsible for all these corpses I see laying around ‘ere?’ and E’ll look at you sort of sharp , and you’ll have to rise up and say ‘If I’d of done as Sergeant Major Flannery repeatedly told me…there wouldn’t have been none of these poor murdered blokes.’ “).

This book introduces Hugo Carmody and Ronnie Fish, who later appeared in two Blandings Castle novels. Master criminals Dolly and Soapy Molloy and Chimp Twist make a return appearance in this story, after their debut in Sam In The Suburbs (Sam The Sudden in the UK). The action mainly takes place in and near the sleepy village of Rudge-in-the-Vale, with an interlude in London.

Advertising Inquiries: https://redcircle.com/brands

Privacy & Opt-Out: https://redcircle.com/privacy

In this insightful novel, P. G. Wodehouse, as is his invariable custom, delves deep into the souls of his characters to lay bare many aspects of the human condition including the emotional, (“A snail crossed her path. She did not tread on it, for she had a kind heart, but she gave it a look. It was a look which, had it reached John, at whom it was really directed, would have scorched him”), the intellectual, (“Those just-as-good imitation heads never pay in the long run. What you ought to do is sell yours for what it’ll fetch and get a new one. And next time,” said Chimp, “make it a prettier one.”) and the theological (“On that last awful day… do you know what’ll ‘appen? The Lord God Almighty will say, angry-like, ‘Oo’s responsible for all these corpses I see laying around ‘ere?’ and E’ll look at you sort of sharp , and you’ll have to rise up and say ‘If I’d of done as Sergeant Major Flannery repeatedly told me…there wouldn’t have been none of these poor murdered blokes.’ “).

This book introduces Hugo Carmody and Ronnie Fish, who later appeared in two Blandings Castle novels. Master criminals Dolly and Soapy Molloy and Chimp Twist make a return appearance in this story, after their debut in Sam In The Suburbs (Sam The Sudden in the UK). The action mainly takes place in and near the sleepy village of Rudge-in-the-Vale, with an interlude in London.

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Privacy & Opt-Out: https://redcircle.com/privacy

In this insightful novel, P. G. Wodehouse, as is his invariable custom, delves deep into the souls of his characters to lay bare many aspects of the human condition including the emotional, (“A snail crossed her path. She did not tread on it, for she had a kind heart, but she gave it a look. It was a look which, had it reached John, at whom it was really directed, would have scorched him”), the intellectual, (“Those just-as-good imitation heads never pay in the long run. What you ought to do is sell yours for what it’ll fetch and get a new one. And next time,” said Chimp, “make it a prettier one.”) and the theological (“On that last awful day… do you know what’ll ‘appen? The Lord God Almighty will say, angry-like, ‘Oo’s responsible for all these corpses I see laying around ‘ere?’ and E’ll look at you sort of sharp , and you’ll have to rise up and say ‘If I’d of done as Sergeant Major Flannery repeatedly told me…there wouldn’t have been none of these poor murdered blokes.’ “).

This book introduces Hugo Carmody and Ronnie Fish, who later appeared in two Blandings Castle novels. Master criminals Dolly and Soapy Molloy and Chimp Twist make a return appearance in this story, after their debut in Sam In The Suburbs (Sam The Sudden in the UK). The action mainly takes place in and near the sleepy village of Rudge-in-the-Vale, with an interlude in London.

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