Step into the life of an editor for 30 minutes as we discuss the craft of editing, industry trends, and editorial resources. Join Nadia Geagea Pupa, host and co-founder of Pique Publishing, and her guests as they take a deep dive into the nuances and intricate details in the world of editing. Listen to real-life stories and secrets about the publishing process to help you build your editorial business and professional services.

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When it comes to editing fiction, it asks a lot of us.We need to understand structure, character, pacing, point of view, voice, and sentence-level craft—but knowing the techniques is only part of the job. The harder skill is knowing when to use them, when to question them, and when to leave an author’s choices alone.In this episode of The Editor’s Half Hour, I talk with Sophie Playle of Liminal Pages about the craft of editing fiction, especially speculative and literary fiction.We explore the difference between using editorial frameworks as helpful tools and treating them like formulas, along with worldbuilding, character development, line editing, voice, and the judgment required to support an author without taking over the work.Sophie also shares insights from her experience as an editor and educator and offers a thoughtful perspective on what it takes to edit fiction with both skill and restraint.After more than a decade running a successful freelance editing business specializing in fiction, Sophie trains editors to approach novel editing with confidence and rigor. Her courses are recognized by the Chartered Institute of Editing and Proofreading (CIEP) and are shaped by hands-on experience, advanced study in Creative Writing, and years of professional development.Visit liminalpages.com to learn more about Sophie and her courses.______________________Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter for $5/month to get access to exclusive content on YouTube: patreon.com/EditorsHalfHourVisit piquepublishing.com/shop to subscribe to Pique Post: The Mail Club for Editing Pros(e).

The Case Against Prescriptivism in Editing Fiction

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What happens when two editors decide they want to spend a little less time staring at screens—and a little more time putting pencil to paper?In this episode, I’m joined by Riley O’Connell, the master behind much of the magic of Pique Post: The Mail Club for Editing Pros(e).We’re sharing the story behind Pique Post: why we wanted to create an analog experience specifically for editors, what inspired us to bring a little surprise and creativity back to the mailbox, and how the idea grew from a simple conversation into an entire mail club.We also talk about what subscribers can expect from each issue, from opportunities to practice editorial skills by hand (and showcase those sample edits in their portfolios) to the thoughtful details we hope make opening Pique Post feel like a small event each month.But Pique Post isn’t just about what arrives in the envelope. It’s about creating space to slow down, engage with words differently, and connect with a community of people who understand the strange and wonderful pleasure of noticing the things everyone else misses.Riley and I also reflect on what we hope Pique Post becomes as the community grows—and why, in an increasingly digital world, there may be something especially valuable about returning to paper, pencils, proofreading marks, and a little something in the post. Links:Visit www.piquepublishing.com/shop to subscribe to this mail club.Learn more about Riley O&#39;Connell and her business by visiting <a href="https://www.rileyoconnell.com/" rel="nofollow">https://www.rileyoconnell.com</a>.Connect with Riley on LinkedIn at https://www.linkedin.com/in/riley-o-connell.______________________Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter for $5/month to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Pique Post: The Mail Club for Editing Pros(e)

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What does it really take to become a freelance editor for a major publishing house?In this episode, I talk with Crystal Yang, owner of Rabbit with a Red Pen, about the skills, experience, and professional relationships that can help editors break into Big Five—Penguin Random House, HarperCollins, Simon &amp; Schuster, Hachette Book Group, and Macmillan Publishers.Crystal shares how she built her career as a copyeditor, proofreader, and authenticity reader and explains why there is no single path into working with a major publisher. We discuss how editors can strengthen their résumés, expand their networks, prepare for editorial tests, and position themselves for opportunities when they arise.Whether working with a Big Five publisher is a long-term goal or simply one possible direction for your editing career, this conversation offers a practical and encouraging look at how to prepare for the opportunity.Visit <a href="https://www.rabbitwitharedpen.com/" rel="nofollow">https://www.rabbitwitharedpen.com/</a> to learn more about Crystal and her business. Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter for $5/month to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Working with the Big 5

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Editing a memoir requires more than shaping a compelling narrative. It also requires sensitivity, trust, and a deep respect for the writer’s voice. In this episode, Barbie Halaby of Monocle Editing discusses the unique responsibilities that come with helping writers transform personal experiences into stories that connect with readers.We explore how memoir editors approach structure, emotional truth, and sensitive subject matter without taking control of the writer’s story. Barbie also shares how she helps clients make difficult decisions about what belongs on the page, how editors can offer honest feedback with care, and why strong communication is essential when working with such personal material.Whether you edit memoirs, write them, or are curious about the relationship between an editor and a memoirist, this conversation offers a thoughtful look at how editors can help writers strengthen their stories while remaining true to the experiences behind them.Learn more about Barbie and her business by visiting https://monocle-editing.com/  Resources mentioned in this episode:Mary Karr&#39;s The Art of Memoir: <a href="https://www.marykarr.com/the-art-of-memoir.html" rel="nofollow">https://www.marykarr.com/the-art-of-memoir.html</a>Marion Roach Smith&#39;s The Memoir Project: <a href="https://marionroach.com/2011/06/the-best-book-on-how-to-write-memoir/" rel="nofollow">https://marionroach.com/2011/06/the-best-book-on-how-to-write-memoir/</a>The Grammar Girl podcast episode that talked about villains and monsters: <a href="https://podcasts.apple.com/us/podcast/everyone-has-a-story-to-tell-and-why-your/id173429229?i=1000769976704" rel="nofollow">https://podcasts.apple.com/us/podcast/everyone-has-a-story-to-tell-and-why-your/id173429229?i=1000769976704</a> Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter for $5/month to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

The Art of Editing Memoir

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When most people think of editing, they think of books, magazines, newspapers, or websites. Video games rarely make the list.Yet behind every quest, character interaction, dialogue option, and story arc is a team of writers, designers, and editors working together to create an immersive experience for players.In this episode, I interview video game editor and narrative designer Jess Haskins about the fascinating world of interactive storytelling. Jess pulls back the curtain on what game editors actually do, from shaping dialogue and maintaining character consistency to navigating branching narratives and player-driven choices.Together, we explore how editing changes when the audience actively participates in the story and why many of the core skills editors use every day—clarity, consistency, collaboration, and audience awareness—are just as important in gaming as they are in traditional publishing.Whether you&#39;re a gamer, an editor, or simply curious about unexpected career paths, this conversation offers a fresh perspective on how editors help shape experiences far beyond the page.In this episode, you&#39;ll learn: • What a video game editor does • The difference between indie, AA, and AAA games • How dialogue trees and player choice influence storytelling • The challenges of editing branching narratives • How editors collaborate with writers, designers, developers, and voice actors • Common misconceptions about video game editing • The role of AI in game development and narrative design • Why the editorial mindset translates across industries and mediumsAbout Jess Haskins:Jess Haskins is a video game editor, narrative designer, and founder of The Game Editors, a boutique studio specializing in narrative consulting, editing, and voiceover production for games. She has worked on a variety of narrative-driven projects and is passionate about helping game developers create compelling player experiences through strong storytelling and thoughtful editorial collaboration.Additional links to resources and contact info mentioned in this episode:Twine - <a href="https://twinery.org/" rel="nofollow">https://twinery.org/</a>Articy - https://www.articy.com/en/Connect with Jess Haskins on LinkedIn – https://www.linkedin.com/in/jesshaskins/Learn more about her business – thegameeditors.com Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter for $5/month to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Editing for Video Games

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Technical editing is often overlooked in conversations about the publishing and editing industry, but it plays a critical role in how readers understand complex information. In this episode, we are joined by Jess Stampe of Just Ask Jess (https://justaskjess.work/) about what technical editing actually involves and why it requires far more than simply correcting grammar. Together, we explore the balance between clarity and accuracy, the challenges of editing highly specialized material, and the importance of structure, readability, and audience awareness. Jess also shares insight into working with subject-matter experts (SMEs), approaching unfamiliar industries with confidence, and helping readers navigate dense information without oversimplifying it. This conversation offers an honest look at a niche many editors find intimidating, while also revealing the growing opportunities available for those willing to strengthen their skills in technical communication and editing.Connect with Jess on LinkedIn: https://www.linkedin.com/in/jessica-stampe/ Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter for $5/month to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Technical Editing

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2026/4/30/19/66a796dc-9525-490d-bae4-65099e9dbb8c_ehh_steph_thompson_v1.mp3

Most writers think they’re ready for editing. Most manuscripts say otherwise.In this episode of The Editor’s Half Hour, Nadia Geagea Pupa explores one of the most misunderstood—and often skipped—stages of the editorial process: manuscript evaluations, alongside Steph Thompson. This conversation gets to the core of what writers actually need before line editing begins. Steph shares how she approaches evaluations from a big-picture perspective, helping writers understand what’s working, what’s not, and how to move forward with clarity and confidence.Together, they break down what a manuscript evaluation is—and what it isn’t—along with how editors assess structure, pacing, clarity, and overall story flow. The conversation also addresses the balance between honest critique and constructive guidance, the common issues that show up across manuscripts, and what a strong evaluation actually looks like in terms of deliverables.They also get into the business side of this work—how to set boundaries, manage client expectations, and price manuscript evaluations in a way that reflects their value.Manuscript evaluations sit at a critical decision point in the publishing process. Done well, they can save writers time, money, and frustration by providing direction before deeper editing begins. This episode offers a clear look into how editors think at this stage—and why clarity always comes before correction.Visit <a href="http://www.inkandinsightwordsmithery.com/" rel="nofollow">www.inkandinsightwordsmithery.com</a> to learn more about Steph’s freelance business.Connect with her on LinkedIn: <a href="http://www.linkedin.com/in/stephanie-thompson-editor" rel="nofollow">www.linkedin.com/in/stephanie-thompson-editor</a><a href="mailto:substack.com/@inkandinsightwordsmithery" rel="nofollow">substack.com/@inkandinsightwordsmithery</a>Find her on Instagram: @ink_and_insight_wordsmithery Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter for $5/month to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Manuscript Evaluations

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In this episode of The Editor’s Half Hour, I’m joined by Tia Ross to talk about the realities behind one of the most misunderstood professions in publishing. At the center of our conversation is her book, &#34;So You Want to Be an Editor... But Can You Edit?,&#34; which challenges the idea that editing is a casual or easily acquired skill. Tia breaks down what it actually takes to do this work well—from technical knowledge and critical thinking to discipline, judgment, and accountability. We also dig into a critical issue in today’s landscape: the consequences of an unregulated industry. When writers don’t do their due diligence in choosing an editor, the impact can be significant. Poor editing doesn’t just affect the quality of a manuscript—it can compromise clarity, credibility, and the author’s long-term success. At the same time, editors who take on work without the proper skill set risk damaging their professional reputation and the trust placed in them. Tia speaks candidly about this shared responsibility—on both sides. This episode is also a reminder that editing is not static. Strong editors stay informed. They continue learning. They refine their skills over time and remain aware of evolving standards, tools, and expectations within the industry. Being an editor isn’t about claiming the title. It’s about consistently earning it. Purchase Tia’s book: <a href="https://tiarosseditor.com/be-an-editor/" rel="nofollow">https://tiarosseditor.com/be-an-editor/</a> Visit the organization she started: <a href="https://blackeditorsproofreaders.com/" rel="nofollow">https://blackeditorsproofreaders.com/</a> Connect with Tia on LinkedIn: <a href="https://www.linkedin.com/in/tia-ross-editor/" rel="nofollow">https://www.linkedin.com/in/tia-ross-editor/</a>To learn more about Tia and the services she provides, visit her website at www.tiarosseditor.com

The Editor's Reality Check

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In this episode, I interviewed Barbara Gastel about the evolving field of medical editing—and the persistent myths that keep talented editors from stepping into it. Barbara is the author of &#34;Medical Editing: A Guide for Authors and Editors,&#34; published by the University of Chicago Press. Drawing on decades of experience in science and medical communication, she offers a grounded, practical look at what medical editors actually do, how they enter the profession, and why there is no single “correct” background for the role. One of the most important takeaways from this conversation: you do not need a health science degree to succeed in medical editing. While subject-matter knowledge can be valuable, the profession benefits from editors with diverse training—journalism, English, publishing, research, and beyond. Strong editorial judgment, clarity of thought, ethical awareness, and respect for evidence are what truly matter. We also discuss: - The core responsibilities of medical editors - How medical editing differs from other editorial niches - The ethical considerations unique to medical and scientific publishing - Practical advice for editors curious about entering this space This episode is both an invitation and a reality check. Medical editing is rigorous. It carries responsibility. But it is also deeply meaningful work—work that shapes how research is communicated and how information reaches clinicians, policymakers, and the public. If you’ve ever wondered whether you belong in medical editing, this conversation may expand your thinking.Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Medical Editing

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Editing RomantasyRomantasy is having a moment—and for good reason.In this episode, I’m joined by editor Brenna Bailey-Davies for a thoughtful conversation about what makes romantasy so compelling for readers and editors alike. We explore the genre’s emotional pull, immersive worlds, and beloved tropes, while also discussing the editorial considerations that help these stories truly shine.Together, we talk about:·       Why romantasy continues to dominate reader demand·       The tropes readers love—and why they work·       How editors can approach romantasy with intention and confidence·       Balancing high emotion, power dynamics, and character agency·       Editing romantasy as a reader-first genreThis conversation is a celebration of romantasy, grounded in craft and curiosity. Whether you’re actively editing in the genre or simply want to understand why it resonates so deeply, this episode offers insight into the editorial lens behind today’s most popular fantasy romances.If you’re planning to attend the LoveLitCon in San Diego (Feb. 13–16), visit lovelit.com and use code PP7299 to get $25 off the registration fee.To learn more about Brenna’s editorial business and her published books, visit <a href="http://www.bookmarteneditorial.com/" rel="nofollow">www.bookmarteneditorial.com</a> or www.brennabailey.com. Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Romantasy Editing

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/12/22/18/b953147d-c7cf-4a92-9cf2-32e091928f82_ehh_janefriedman__v1.mp3

Jane Friedman: The Business of Being a Writer (and a Freelancer)In this episode, I talk with publishing expert, educator, and author Jane Friedman about the realities of building a writing or editing career in today’s shifting marketplace.Jane has spent more than two decades working across traditional publishing, digital media, and higher education. Her insights cut through industry myths and offer a clear, practical look at what it really takes to sustain creative work—especially for freelancers.We explore the principles behind her book The Business of Being a Writer, how to position yourself in a crowded market, and why understanding your value is essential, no matter what stage of your career you’re in. We also discuss common misconceptions around agents, the submissions process, and why packaging and pricing matter just as much as skill.Jane shares a thoughtful perspective on AI in the exclusive interview—its potential, its limits, and what writers and editors should pay attention to as technology evolves.This is a grounded, generous conversation for anyone navigating the business side of creative work.Topics We Cover<ul><li>Why positioning matters for freelancers</li><li>Pricing, packaging, and communicating your value</li><li>How editors can strengthen their visibility and reach</li></ul> Resources &amp; Links<ul><li>Jane Friedman’s Website: <a href="https://janefriedman.com/" rel="nofollow">https://janefriedman.com</a></li><li>The Business of Being a Writer (Book): https://janefriedman.com/book/the-business-of-being-a-writer</li><li>Jane’s Substack Article: There Is No Such Thing as a Good Editor</li><li> <a href="https://janefriedman.substack.com/p/there-is-no-such-thing-as-a-good?utm_source=chatgpt.com" rel="nofollow">https://janefriedman.substack.com/p/there-is-no-such-thing-as-a-good</a></li></ul> If you’re planning to attend the LoveLitCon in San Diego (Feb. 13–16), visit lovelit. and use code PP7299 to get $25 off the registration fee. Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

The Business of Being a Writer

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/11/28/21/e21a9111-f956-4c1d-a5cb-646acc87c7e6_ehh_peter_sokolowski_v2.mp3

For the Season 3 finale of The Editor’s Half Hour, I’m joined by a truly extraordinary guest: Peter Sokolowski, editor at large at Merriam-Webster. With the highly anticipated 12th edition of the Merriam-Webster’s Collegiate Dictionary—the first major update in more than two decades—Peter gives us a rare look behind the scenes of how our language is shaped, refined, and recorded.In this conversation, Peter takes us inside the meticulous world of lexicography: how new words earn their place, how usage guides definition, and how the dictionary reflects the culture around us. We talk about nuance, evolution, clarity, and the responsibility of capturing the living nature of English—while honoring history, accuracy, and meaning.This episode is a celebration of everything editors love about language. Whether you’re an editor, a writer, or a full-on word nerd, you’ll walk away with a deeper appreciation for the craft behind the dictionary you’ve trusted for years.In this episode, you’ll learn:·       What goes into updating a major dictionary edition·       How lexicographers track evolving usage and cultural influence·       The surprising ways words shift meaning over time·       What gets added and what gets revised in the 12th edition·       How editors and lexicographers share similar instincts for clarity and precision·       Why dictionary work is both deeply technical and beautifully humanAnd because this is the season finale, the episode begins with a special announcement: the winner of this season’s listener giveaway! Become a sneak “Pique” Patreon supporter to get access to exclusive content.Visit <a href="https://www.merriam-webster.com/collegiate-dictionary-twelfth-edition" rel="nofollow">https://www.merriam-webster.com/collegiate-dictionary-twelfth-edition</a> to get your copy of the latest 12th edition.If you’re planning to attend the LoveLitCon in San Diego (Feb. 13–16), visit lovelit. and use code PP7299 to get $25 off the registration fee. Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Inside the New Merriam-Webster Collegiate

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/10/27/23/f4c24c25-c672-4537-8ddc-35da72324a1c_editor_s_half_hour_-_aryn_van_dyke_v1.mp3

Book Marketing for EditorsWhat happens after the edits are done? In this episode, I interview Aryn Van Dyke, founder of Book Rockstar and former HarperCollins marketing expert, about how editors can better understand the world of book marketing—and why it matters more than ever.Aryn shares how her background in corporate publishing led her to create Book Rockstar, a boutique agency dedicated to helping authors build authentic, sustainable book marketing strategies that actually fit their values. She opens up about her journey from marketing professional to author, including her own Kickstarter campaign for her debut novel and what she learned about community, vulnerability, and creative entrepreneurship along the way.If you’ve ever wondered how editors can support authors beyond the manuscript—or what it takes to turn a polished book into a thriving brand—this episode will give you real-world insight into the marketing side of publishing.In this episode, you’ll learn:<ul><li>What editors should know about the author marketing journey</li><li>How to help authors think about visibility from the start</li><li>The biggest misconceptions about book marketing</li><li>Lessons Aryn learned from crowdfunding her debut novel</li><li>Why marketing doesn’t have to feel “salesy”</li><li>How collaboration between editors and marketers benefits everyone</li></ul>Plus, in the exclusive after-party episode for Patreon supporters, Aryn gets personal about the emotional side of launching a novel, the lessons she’s learned about balance and burnout, and how she’s exploring the role of AI in modern book marketing.Find Aryn on LinkedIn: https://www.linkedin.com/in/aryn-van-dyke/Learn more about Book Rockstar: https://www.bookrockstar.com/Buy your copy of Aryn’s book: https://www.arynvandyke.com/ Leave a review or share this episode with your fellow editors!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Book Marketing for Editors

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/9/25/14/95a19c49-9f06-489f-9769-e8f1157f9e31_ehh_marieellis_v1.mp3

In this episode of The Editor’s Half Hour, Nadia Pupa talks with Marie Ellis, founder of Muse Content and an experienced editor and content strategist. Marie shares how she helps authors and organizations shape their ideas into clear, meaningful content while staying grounded in the joy of editing.Together, we explore:·       What it means to find your “happy place” as an editor·       How to create a balance between editorial precision and creative satisfaction·       The role of confidence in building an editorial career·       Practical ways to stay motivated when projects feel overwhelming·       Why connection—with writers, clients, and other editors—matters to sustaining joy in the professionWhether you’re new to editing or a seasoned pro, Marie’s insights are a reminder that editing is more than correcting—it’s about clarity, collaboration, and content that resonates.Learn more about Marie’s work at Muse Content: https://www.musecontent.co.ukReach out to Marie on LinkedIn: <a href="https://www.linkedin.com/in/marie-ellis-content/" rel="nofollow">https://www.linkedin.com/in/marie-ellis-content/</a> Leave a review or share this episode with your fellow word nerds and editing enthusiasts!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Finding your Happy Place as a Freelance Editor

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/8/29/19/0d9fd051-9ffc-4850-af42-ae64b89a8d2e_editorshalfhr_laurapoole_v3.mp3

If you’ve spent any time on LinkedIn, you may have seen this episode’s guest in action—Laura Poole. She’s become known for her signature ‘snip snip’ posts, where she takes a sentence, trims the excess, and shows how just a few smart cuts can transform writing into something sharper, cleaner, and more powerful.In this episode, we discuss the art of concise editing: how to cut the clutter, keep the meaning, and make every word earn its place. Whether you’re an editor or a writer, you’ll come away with practical tools—and maybe even the courage to pick up the scissors and give your words a little snip snip.With her decades of experience in scholarly nonfiction and her gift for teaching, Laura explains how the art of concise editing can transform writing from wordy to worthy. She reminds us that editing is not about judgment—it’s about clarity, flow, and nuance. Laura has been editing full-time since 1996, and shortly after, she founded her company, <a href="https://www.archereditorial.com/" rel="nofollow">Archer Editorial Services, Inc.</a>, in 1997. She currently serves on the ACES Awards Committee as head judge for the Robinson Prize.Visit her company website: <a href="https://www.archereditorial.com/" rel="nofollow">https://www.archereditorial.com/</a>Follow Laura on LinkedIn: <a href="https://www.linkedin.com/in/laurapoole/" rel="nofollow">https://www.linkedin.com/in/laurapoole/</a> Leave a review or share this episode with your fellow word nerds and editing enthusiasts!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter to get access to exclusive content on YouTube: patreon.com/EditorsHalfHour

Snip Snip: The Art of Concise Editing

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In “Not Your Grandma’s Grammar,” we dive deep into the evolving landscape of language, exploring what’s truly worth holding onto from the old-school grammar playbook and what’s time to retire.Dave Nelsen shares what he thinks Grandma did get right, the most common mistakes he still spots out in the wild, and the grammar “hills” he’s ready to defend fiercely. Dave has more than two decades of experience copy editing business collateral, academic writing, proposal content, marketing materials, and anything else that’s been put in front of him. Dave has been with Dragonfly Editorial since 2017. He began as a contractor, editing and writing proposal content for several of Dragonfly’s health care and IT clients. Today, as the deputy editorial manager, he works closely with the editorial manager to develop and maintain Dragonfly’s high editing standards. He also edits and proofreads proposal content and other communication for key clients. He’s especially proud of his super-nerd-level love of style guides. Ask him any question about the Associated Press Stylebook or The Chicago Manual of Style, and you’ll have a hard time shutting him up. In this episode, we challenge the myths (yes, including that infamous “don’t end a sentence with a preposition” rule), and discuss how modern communication—think texting, TikTok, and Threads—is reshaping our understanding of language.We also tackle hot topics like:·       Is autocorrect helping or hurting our grammar brains?·       Why punctuation in texts can sometimes feel like a secret message.·       How grammar rebels from history inspire today’s editors.·       Why editors might want to broaden their skill sets beyond traditional copyediting.Plus, for exclusive content, Dave dives into the future of grammar in an AI-driven world. From how editors might become language ethicists to the challenge of editing algorithm-generated voices, this episode is a must-listen for anyone passionate about the craft of language. (Visit patreon.com/EditorsHalfHour to become a Patreon supporter to get access to the exclusive content.)You can find Dave on LinkedIn and Bluesky:https://www.linkedin.com/in/dave-nelsen-0551588/ @thegrammargeek.bsky.social Visit <a href="https://dragonflyeditorial.com/resources/top-4-english-myths/" rel="nofollow">https://dragonflyeditorial.com/resources/top-4-english-myths/</a> to read the “Top 4 English Language Myths,” which is one of Dragonfly’s Field Guides written by Dave. Visit <a href="https://dragonflyeditorial.com/training/" rel="nofollow">https://dragonflyeditorial.com/training/</a> to learn more about the webinars they have to offer. Leave a review or share this episode with your fellow word nerds and editing enthusiasts!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter: patreon.com/EditorsHalfHour

Not Your Grandma's Grammar

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/6/27/17/ec2b599c-4bf7-4459-b2c8-7453e89775b3_editors_half_hour_-_dr._andrew_hodges_-_v1.mp3

Developmental editor and anthropologist Andrew Hodges shares his view of the editor’s role in shaping fictional worlds—especially in speculative fiction. He brings a unique perspective to the craft, blending editorial expertise with a background in cultural anthropology. We discuss:<ul><li>How editors can guide world-building without taking over the creative vision</li><li>Common mistakes writers make when creating new worlds</li><li>Approaches to handling culture and social structures with nuance</li><li>Tools and frameworks that make complex worlds easier to manage</li><li>Why developmental editing for world-building is really about strengthening the story’s core</li></ul> If you’re a developmental editor working with fantasy, sci-fi, or even historical fiction, this episode is full of ideas for making world-building more intentional, inclusive, and story-driven.Andrew Hodges is a developmental editor and the founder of <a href="https://www.thenarrativecraft.com/" rel="nofollow">The Narrative Craft</a> (TheNarrativeCraft.com), where he works with speculative fiction authors to bring their stories to life. With a PhD in social anthropology, Andrew offers deep insight into how culture, structure, and meaning shape the worlds we build.Here’s a detailed list of the resources mentioned in this episode:<ul><li>Andy’s podcast: https://www.thenarrativecraft.com/the-free-lancer-podcast </li><li>Andy’s webinar <a href="https://payhip.com/b/UTCN9" rel="nofollow">https://payhip.com/b/UTCN9</a></li><li>Sophie Playle Guiding Principles for Developmental Fiction Editing (Webinar) https://www.liminalpages.com/ </li><li>Jennifer Lawler Developmental Editing Courses https://www.clubedfreelancers.com/jennifer-lawler-editor/</li><li>Beth Hill’s book, “The Magic of Fiction” <a href="https://www.goodreads.com/book/show/29510704-the-magic-of-fiction" rel="nofollow">https://www.goodreads.com/book/show/29510704-the-magic-of-fiction</a></li><li>Janice Hardy’s “Revising Your Novel: First Draft to Finished Draft: A step-by-step guide to revising your novel”: <a href="https://a.co/d/f5y6PQu" rel="nofollow">https://a.co/d/f5y6PQu</a></li><li>Wonderbook: <a href="https://a.co/d/3YCnoWJ" rel="nofollow">https://a.co/d/3YCnoWJ</a></li><li>Blog, podcast, discord: <a href="https://mythcreants.com/" rel="nofollow">https://mythcreants.com/</a></li></ul> Leave a review or share this episode with your fellow word nerds and editing enthusiasts!Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcastConnect with me on Instagram: @Editors_Half_HourSubscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon Sneak “Pique” supporter: patreon.com/EditorsHalfHour

Developmental Editing for World-Building

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In this episode of The Editor’s Half Hour, Nadia Geagea Pupa welcomes editor Rachel Lapidow for an in-depth look at the role editors play in the world of tabletop role-playing games (TTRPGs). From rulebooks and lore to quests and character creation, editing TTRPGs involves far more than just grammar—it’s about helping writers and designers bring expansive, interactive worlds to life with clarity, consistency, and heart.Rachel shares how she got started in this unique niche, the editorial challenges that come with blending narrative and game mechanics, and why attention to detail matters just as much in imaginary realms as it does anywhere else. Whether you&#39;re deep into the TTRPG space or just curious about unconventional editorial careers, this episode offers a fascinating glimpse behind the screen.What You’ll Learn:·       What editors actually do on TTRPG projects·       How to balance creativity with consistency·       Common pitfalls and continuity challenges in collaborative storytelling·       Why editors are essential to immersive, playable game narratives·       Rachel’s advice for editors interested in gaming and narrative designRachel Lapidow is a freelance editor with a passion for TTRPGs, collaborative fiction, and genre storytelling. Her work focuses on helping teams bring complex, interactive narratives to life—ensuring that even the most magical worlds stay grounded in clear, player-friendly language. Since 2019, she has been a freelance proofreader for DC Comics and has worked on more than 20 comic collections. Visit RachelLapidow.com to learn more about Rachel and the types of projects she’s done.During this episode, we made reference to another podcast, Tech Lounge, where Rachel discussed her work on TTRPGs:<a href="https://chrischinchilla.com/podcast/copy-editing-game-rules-with-rachel-lapidow/" rel="nofollow">https://chrischinchilla.com/podcast/copy-editing-game-rules-with-rachel-lapidow/</a>The idea to cover this topic on the podcast came from Rachel Fowler, magazine editor for the Society of Tribologists and Lubrication Engineers. Thank you, Rachel, for your input and ideas! Find Rachel Fowler on LinkedIn: https://www.linkedin.com/in/rachel-fowler-1b523675/Since this episode was released, Rachel Lapidow has written an article that outlines what it takes to develop an intricate stylesheet. She shares a truncated version in her latest blog post titled, “Getting it Righ (Whale): A Reef-erence to a Whale of a Style Sheet”: https://www.rachellapidow.com/writing/2025/9/10/getting-it-right-whale-a-reef-erence-to-a-whale-of-a-style-sheetLove the Show?💬 Leave a review to help others discover the show!📢 Share this episode with your fellow word nerds and editing enthusiasts!🎙️ Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcast✍️ Connect with me on Instagram: @Editors_Half_Hour⭐ Subscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon supporter: patreon.com/EditorsHalfHour

Editing Tabletop Role-Playing Games (TTRPGs)

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/4/30/1/1ceea948-2a06-4509-b6fa-08fe488fc970_ive_with_heather_saunders___new_interview_-_v2.mp3

In this special double feature episode, I’m joined by two standout voices from this year’s ACES conference in Salt Lake City.First, I interview Heather Saunders, president of ACES: The Society for Editing and CEO of Nova Arc Content. Heather shares her perspective on leading in the editing world, the importance of advocating for editors in specialized fields like STEM, and how she’s working to build a stronger, more inclusive professional community. It’s a conversation about vision, leadership, and the evolving role of editors in today’s content landscape.Then, I sit down with Jamaal Pittman, this year’s Robinson Prize winner—one of the highest honors an editor can receive. Jamaal opens up about his career journey, what this award means to him, and the lessons he’s learned about excellence, mentorship, and community in the editing profession.Whether you’re deep in the world of editorial work or just curious about the people shaping the future of content, this episode is packed with insight, heart, and inspiration.Resources &amp; Mentions:<ul><li><a href="https://aceseditors.org/" rel="nofollow">ACES: The Society for Editing</a></li><li><a href="https://novaarccontent.com/" rel="nofollow">Nova Arc Content</a></li><li>Learn more about the <a href="https://aceseditors.org/news/2025/jamaal-d-pittman-wins-the-2025-robinson-prize-aces-highest-honor" rel="nofollow">Robinson Prize</a></li><li>Purchase your copy of Jamaal’s book, <a href="https://www.amazon.com/Copy-Editors-Life-Style-Guide/dp/1304540537" rel="nofollow">The Copy Editor’s (Life)Style Guide</a>.</li></ul>

STEM/Medical Editing

https://s3.us-east-2.amazonaws.com/pod-public-media-files/2025/3/26/2/14db6275-8c45-46f6-8c1f-91ee81a633f6_editors_half_hour_-_colleen_newvine_-_v2.mp3

Let’s be real—promoting yourself can feel like a microfiber cloth snagging on dry skin. Ick. We’re editors, not salespeople! But fear not, because in this episode, I speak with marketing guru, and work and life coach, Colleen Newvine, all about how to feel more authentic and less cringey when it comes to self-promotion.Colleen’s approach to marketing makes you feel at ease, that promoting your brand is less selling and more serving, offering helpful and valuable services to those who need it. She soothes your worries and gives you comfort that you can do it! Colleen gives us all a push in the right direction and gives guidance for embracing imperfection when tackling the digital marketing world, whether you’re a freelance editor or small business owner.Key Takeaways·      Answers why so many people feel “gross” when selling their services·      Teaches you how to reframe the intention behind self-promotion·      Shares tips to be less “salesy” and more authentic·      Unpacks how to get started on your marketing journey, focusing on the basics·      Gives you the pep talk you need to get started on marketing your brand Colleen Newvine is a reporter and editor turned marketer and coach, providing marketing consulting for small organizations and self-employed people, and is a certified life and career coach. Her focus is on helping small organizations and self-employed professionals with marketing consulting services, where she gets to work one-on-one with the owners.Check out her website: ColleenNewvine.comFollow Colleen on Instagram: @colleennewvineFind her on LinkedIn: https://www.linkedin.com/in/colleennewvine/📖 Buy her book: Your Mini Sabbatical Resources Mentioned:·      Chris Brogan’s marketing newsletter: https://chrisbrogan.com/#newsletter·      Bréne Brown on “feeling wobbly”: https://brenebrown.com/podcast/brene-on-strong-backs-soft-fronts-and-wild-hearts/·      Designing Your Life by Bill Burnett and Dave Evans: https://a.co/d/18DbzRELove the Show?💬 Leave a review to help others discover the show!📢 Share this episode with your fellow word nerds and editing enthusiasts!🎙️ Check out other episodes of The Editor’s Half Hour: piquepublishing.com/podcast✍️ Connect with me on Instagram: @Editors_Half_Hour⭐ Subscribe to my newsletter: tinyurl.com/EditorsHalfHourBecome a Patreon supporter: patreon.com/EditorsHalfHour

The Newsletter Niche for Freelancers

Step into the life of an editor for 30 minutes as we discuss the craft of editing, industry trends, and editorial resources. Join Nadia Geagea Pupa, host and co-founder of Pique Publishing, and her guests as they take a deep dive into the nuances and intricate details in the world of editing. Listen to real-life stories and secrets about the publishing process to help you build your editorial business and professional services.